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A translation into English of an important work, originally published in German in the 1970s, on the making and meaning of European medieval and Baroque painted wood sculpture. It combines scientific analysis of materials with an art-historical appreciation of form and function, an approach that has led to the development of technical art history as practiced today.

Sculpture --- restoration [process] --- Conservation. Restoration --- sculpture [visual work] --- polychromy --- preserving --- Sculpture, Medieval --- Sculpture, European --- Wood-carving --- Polychromy --- Conservation and restoration --- Conservation and restoration. --- Sculpture médiévale --- Sculpture européenne --- Sculpture sur bois --- Polychromie --- Conservation et restauration --- sculpture [visual works] --- Sculpture médiévale --- Sculpture européenne --- Whittling --- Wood-carving, Primitive --- Wood carvings --- Wood craft --- Woodcarving --- Woodcraft --- Carving (Decorative arts) --- Woodwork --- Wood sculpture --- European sculpture --- Color in sculpture --- Color --- Sculpture, Medieval - Conservation and restoration - Europe --- Sculpture, European - Conservation and restoration --- Wood-carving - Conservation and restoration - Europe --- Polychromy - Conservation and restoration - Europe

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art criticism --- realism [artistic form of expression] --- Art styles --- Aesthetics of art --- Menzel, Adolf Friedrich Erdmann --- Menzel, Adolph Friedrich Erdmann --- Kugler, Franz --- Frederik II (koning van Pruisen) --- oorlog --- historieschilderkunst --- dagelijks leven --- kunsttheorie --- School van Barbizon --- realisme --- Constable, John --- historiestukken --- oorlog. --- historiestukken. --- dagelijks leven. --- kunsttheorie. --- School van Barbizon. --- realisme. --- Menzel, Adolph Friedrich Erdmann. --- Kugler, Franz. --- Frederik II (koning van Pruisen). --- Constable, John.

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"Guido Remi (1575-1642) was the star painter of the Italian Baroque and one of Europe's most successful artists in his lifetime, widely sought after by prominent patrons. Whether creating depictions of a Christian heaven or the world of Greek and Roman classical mythology, Reni was unmatched in his ability to translate divine themes into painting, a knack that earned him the epithet "il divino." Misunderstood and somewhat marginalized after his death, the work of Reni is now undergoing a significant rediscovery.Drawing on new research, this catalog accompanying a major exhibition at the Städel Museum provides insights into his artistic activities and his ambiguous personality. Bringing together his fascinating paintings, drawings and etchings for the first time in more than 30 years, it offers a new perspective on one of the greatest figures of Italian art." --

Reni, Guido, --- Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main. --- Painting, Italian --- caravaggisme. --- Reni, Guido. --- Art --- drawings [visual works] --- prints [visual works] --- easel paintings [paintings by form] --- Italian Renaissance-Baroque styles --- Reni, Guido --- caravaggisme