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Mon cas n'est pas unique : der homosexuelle Diskurs in französischen Autobiographien des 20. Jahrhunderts
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ISBN: 3476452158 9783476452153 Year: 1999 Publisher: Stuttgart: J. B. Metzler,

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The cinemas of italian migration : european and transatlantic narratives
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ISBN: 1443869945 1322216819 9781322216812 9781443869942 9781443846240 Year: 2013 Publisher: Newcastle upon Tyne : Cambridge Scholars Publishing,

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Italy is more strongly influenced by the experiences of migrants than many other European countries. This includes an historically ongoing internal migration from the south to the north, which is strongly echoed in neo-realism; a mass emigration mainly to western Europe and North and South America that is connected with mafia films, among others, in Italy's collective imaginary; as well as a more recent immigration influx from the southwestern Mediterranean, which is dealt with at a film leve...


Dissertation
Le cinéma documentaire: historique, situation actuelle et perspectives.

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Dissertation
Le cinéma documentaire : historique, situation actuelle et perspectives.

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Futurist Cinema

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Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection 'Futurist Cinema', Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.


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Brüchige Ehen : Alternative Konzeptualisierungen partnerschaftlicher Sozialität in der Romania um 1900

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Die Ehe stellt das Sozialmodell der bürgerlichen Moderne par excellence dar. Mit der Integration von Liebe, Freundschaft und Sexualität schafft sie den Brückenschlag zwischen Privatheit und Öffentlichkeit. Doch so prädestiniert die Ehe hinsichtlich der Absorption der politischen, wirtschaftlichen und kulturellen Bedingungen und Bedürfnisse der bürgerlichen Moderne scheint, so sehr steht sie auch in der Kritik. Die Beiträger*innen nehmen diskursive Infragestellungen der Ehe in kulturellen Artefakten der Romania von 1870 bis 1930 in den Blick und analysieren sie aus kultur- und literaturwissenschaftlicher Perspektive.

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