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Bergson was a pre-eminent European philosopher of the early twentieth century and his work covers all major branches of philosophy. This volume of essays is the first collection in twenty years in English to address the whole of Bergson's philosophy, including his metaphysics, epistemology, philosophy of science, philosophy of life, aesthetics, ethics, social and political thought, and religion. The essays explore Bergson's influence on a number of different fields, and also extend his thought to pressing issues of our time, including philosophy as a way of life, inclusion and exclusion in politics, ecology, the philosophy of race and discrimination, and religion and its enduring appeal. The volume will be valuable for all who are interested in this important thinker and his continuing relevance.

Bergson, Henri, --- Bergson, Henri --- Bergson, Henri Louis, --- Bergson, Anri, --- Bergson, Enrico, --- Berŭgŭsong, --- Berxon, --- Bergson, Henry, --- Bergson, Henryk, --- Berŭgŭsong, Angri, --- Bergson, Enrique, --- Bergson, H. --- Bogesen, Hengli, --- בערגסאן, אנרי --- בערגסאן, אנרי, --- ברגדון, אנרי, --- ברגסון, הנרי --- ברגסון, הנרי,

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"Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory-Aristotle's concept of the diaphanous milieu of vision-and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices"--

Phenomenology. --- Image (Philosophy) --- Visual communication --- Philosophy. --- Aesthetics --- phenomenology --- image processing --- Audiovisual methods --- Phenomenology --- Visual communication - Philosophy

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Pure sciences. Natural sciences (general)