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'In Wibke Schniedermann's book relational sociology meets narrative criticism to help probe gender-based inequality in some of Henry James's major novels. In her outline of the theoretical underpinnings and in her meticulous analyses ranging from James's first popular success in Daisy Miller to his last finished novel in The Golden Bowl, Schniedermann offers an exciting new way of reading symbolic economy in James's fiction at the interface of the social, the psychological and the literary.' - Mirosława Buchholtz, Professor of English, Nicolaus Copernicus University, Poland This book proposes a new interdisciplinary approach to the gendered power relations in James’s novels. Reading James’s narrative form through the lens of relational sociology, specifically Pierre Bourdieu’s concept of symbolic domination, reconciles some of the most fiercely disputed positions in James studies of the past decades. The close readings focus on three novels, The Portrait of a Lady, The Wings of the Dove, and The Golden Bowl, providing a systematic relational analysis into the specifically Jamesian method of narrating the socio-psychological, embodied responses to masculine power and oppression. James persistently narrates his characters as social agents whose perception, affects, and bodily practices are products of the social structures that they in turn continue to shape and reproduce. The chapters trace a development throughout James’s career that reflects a growing sensitivity for the concealment and attendant misrecognition of gendered domination.
Fiction. --- Literature—Philosophy. --- Culture—Study and teaching. --- Culture. --- Gender. --- Literary Theory. --- Cultural Theory. --- Culture and Gender. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Social aspects --- Philosophy --- Study and teaching. --- James, Henry, --- James, Henry. --- Criticism and interpretation. --- Cultural studies --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى --- James, Henry
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'In Wibke Schniedermann's book relational sociology meets narrative criticism to help probe gender-based inequality in some of Henry James's major novels. In her outline of the theoretical underpinnings and in her meticulous analyses ranging from James's first popular success in Daisy Miller to his last finished novel in The Golden Bowl, Schniedermann offers an exciting new way of reading symbolic economy in James's fiction at the interface of the social, the psychological and the literary.' - Mirosława Buchholtz, Professor of English, Nicolaus Copernicus University, Poland This book proposes a new interdisciplinary approach to the gendered power relations in James’s novels. Reading James’s narrative form through the lens of relational sociology, specifically Pierre Bourdieu’s concept of symbolic domination, reconciles some of the most fiercely disputed positions in James studies of the past decades. The close readings focus on three novels, The Portrait of a Lady, The Wings of the Dove, and The Golden Bowl, providing a systematic relational analysis into the specifically Jamesian method of narrating the socio-psychological, embodied responses to masculine power and oppression. James persistently narrates his characters as social agents whose perception, affects, and bodily practices are products of the social structures that they in turn continue to shape and reproduce. The chapters trace a development throughout James’s career that reflects a growing sensitivity for the concealment and attendant misrecognition of gendered domination.
Philosophy --- Philosophy and psychology of culture --- Sociology of the family. Sociology of sexuality --- Fiction --- Literature --- cultuur --- emancipatie --- filosofie --- literatuur --- gender --- fantasie (verbeelding)
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This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV’s intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification. .
Culture --- Ethnology. --- Communication. --- Motion pictures and television. --- Motion pictures. --- Cultural and Media Studies. --- Film and Television Studies. --- Film Theory. --- Media and Communication. --- Cultural Anthropology. --- Study and teaching. --- Television series --- History and criticism. --- Series, Television --- Television serials --- Television programs --- Screen Studies. --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Communication, Primitive --- Mass communication --- Sociology --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Moving-pictures and television --- Television and motion pictures --- Television --- History and criticism
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This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV’s intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification. .
Sociology of culture --- Didactics of the arts --- Ethnology. Cultural anthropology --- Mass communications --- Film --- Television play --- etnologie --- TV (televisie) --- communicatie --- cultuur --- film --- culturele antropologie
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Culture --- Ethnology --- Motion pictures and television --- Cinéma et télévision. --- Study and teaching
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Philosophy --- Philosophy and psychology of culture --- Sociology of the family. Sociology of sexuality --- Fiction --- Literature --- cultuur --- emancipatie --- filosofie --- literatuur --- gender --- fantasie (verbeelding)
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