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In the context of researching performative practice and performative installations, Smoky Pokership reflects the change from performance to installation and back again. In the past ten years within the evolution of contemporary performance art, a shift has been discerned away from the body of the performer to the relational space and context of the performance. Behind this also lies the observation that today's performance art leaves behind ever more traces in exhibition spaces. The design of the space that is intended for the performance--stage, public space, exhibition format--calls for new forms in the development of the performance, for example that of the environment or of the action, of politically committed projects or activities of art in the social sphere.
museology --- Museology --- Art --- exhibiting --- performance art --- Ausstellungstechnik. --- Installation. --- Installations (Art). --- Performance art. --- Performance.
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Bereits mit seiner Diplomarbeit an der Hochschule für Gestaltung Ulm «Über den Zeichen- und Symbolcharakter von Gegenständen» hatte Klaus Krippendorff den Grundstein dafür gelegt, was heute weltweit als der Kern von Design-Theorie angesehen wird. Als Ergebnis jahrzehntelanger Forschung legt der Autor in dieser Publikation jetzt die ultimative Summe seiner Erkenntnisse vor. Die Kernaussage lautet: Bedeutung ist wichtiger als Funktion. Design gibt den Dingen Sinn, es macht Dinge verständlich. Es geht dabei um die kontextabhängige Wahrnehmung, Erfahrung und Interpretation von Produkten durch den Benutzer. Krippendorff entwirft den Methodenapparat, um diese Phänomene angemessen wissenschaftlich erfassen und beschreiben zu können. Klaus Krippendorff ist Professor an der Annenberg School for Communication der University of Pennsylvania in Philadelphia, USA. Zur Vorgeschichte des Buches klicken Sie hier.
Industrial design --- Teleology --- Design in natural phenomena, Study of --- Final cause --- Philosophy --- Causation --- Evolution --- Necessity (Philosophy) --- Social aspects. --- Philosophy.
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Architekturzeichnung. --- Bauornament --- Bauornament. --- Pflanzenabbildung --- Pflanzenornament. --- Pflanzenabbildung. --- Bauornament. --- Binet, René --- Binet, René --- Binet, René.
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'BERLIN, 1945-2000: A PHOTOGRAPHIC SUBJECT' explores how German and international photographers alike photographed Berlin between the immediate postwar years and the end of the twentieth century. Curator and art historian Candice M. Hamelin selected exemplary works by more than twenty photographers. The book, which is published to accompany a major exhibition at the Reinbeckhallen in Berlin, opens with black-and-white photographs of Berlin in ruins and concludes with images of Berlin's urban development projects after the fall of the Berlin Wall that are often in color and taken with exposure times of up to several years. Images that belong to the genres of street, subjective, architectural, conceptual, portrait, and experimental photography can be found between these two sections. In dialogue with each other, the images in 'BERLIN, 1945-2000: A PHOTOGRAPHIC SUBJECT' underscore the immense social, cultural, and political changes the city underwent and, at the same time, the diverse photographic practices and tendencies that developed in Berlin over the course of fifty-five years.
Street photography --- Photography, Artistic --- Black-and-white photography --- Berlin (Germany)
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