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Images of Australian identity, and of Australian nationhood, are social and cultural constructs. There are several dominant themes and elements, one of the most pervasive being the Australian bushman confronting a vast and barren landscape. This is a specifically Australian conception of the battle between Man and Nature. Throughout the myths, traditions and literary creations of Australia are underlying assumptions about gender and sexual difference: assumptions about masculinity and femininity within the nationalist tradition, which affect perceptions today. In this new critique, Kay Schaffer applies the insights of feminist scholarship and of literary analysis to examine the national character. She looks at how the concept of 'the typical Australian', and the woman who stands in relation to him, has evolved across a range of cultural forms, including historical and literary texts, film and the media. She concentrates in particular on the writings of Henry Lawson and of Barbara Bayton. The circulation of ideas about these writers, their contribution to a national mythology, and the different ways their importance has been represented to modern readers, is explored and discussed. This thoughtful and provocative study will interest readers concerned with Australian literary and cultural history, as well as the broader questions of Australia's changing self-image. It will be of particular value to those interested in feminist approaches to culture and society.
Australian literature --- History and criticism --- Women in literature --- Women and literature --- Australia --- Civilization --- Frontier and pioneer life --- Sex role --- Australian literature - History and criticism. --- Women in literature. --- Women and literature - Australia. --- National characteristics, Australian. --- Australia - Civilization. --- Frontier and pioneer life in literature. --- Frontier and pioneer life - Australia. --- Sex role in literature. --- Sex role - Australia. --- Arts, Australian. --- Arts and Humanities --- Literature --- History and criticism. --- Civilization. --- Australian arts --- Gender role --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Australian national characteristics --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry
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Art --- Thematology --- Literature --- Austronesian literature --- Australia
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AUSTRALIAN LITERATURE --- AUSTRALIAN IDENTITY --- FRASER (ELIZA ANNE) --- FRINGE OF LEAVES, A --- JOSIPOVICI (GABRIEL) --- AUSTRALIAN NATIONALISM --- LITERATURE AND HISTORY --- AUSTRALIENS ABORIGENES --- ONDAATJE (MICHAEL), 1943 --- -WHITE (PATRICK), 1912-1990 --- AUSTRALIA
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How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these creative works transcends categorical boundaries of Western art, aesthetics, and literature, demanding new processes of reading and response. Other contributors address works by non-Indigenous writers and filmmakers such as Stephen Muecke, Katrina Schlunke, Margaret Somerville, and Jeni Thornley, all of whom actively engage in questioning their complicity with the past in order to challenge Western modes of knowledge and understanding and to enter into a more self-critical and authentically ethical dialogue with the Other. In probing the limitations of Anglo-European knowledge-systems, essays in this volume lay the groundwork for entering into a more authentic dialogue with Indigenous writers and critics.
Aboriginal Australians --- Australiens (Aborigènes) --- Cultural assimilation --- Acculturation --- Aboriginals, Australian --- Aborigines, Australian --- Australian aboriginal people --- Australian aboriginals --- Australian aborigines --- Australians, Aboriginal --- Australians, Native (Aboriginal Australians) --- Native Australians (Aboriginal Australians) --- Ethnology --- Indigenous peoples --- Cultural assimilation. --- Arts, Aboriginal Australian. --- Social life and customs. --- Civilization. --- Aboriginal Australian arts --- Arts, Australian aboriginal
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Chinese literature --- Women authors, Chinese --- Women authors --- History and criticism. --- Ecrits de femmes chinoises --- Ecrivaines chinoises --- Littérature chinoise
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Olympics --- History. --- Social aspects.
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Personal narratives have become one of the most potent vehicles for advancing human rights claims across the world. 'Human Rights and Narrated Lives' explores what happens when autobiographical narratives are produced, received, and circulated in the field of human rights. It asks how personal narratives emerge in local settings how international rights discourse enables and constrains individual and collective subjectivities in narration how personal narratives circulate and take on new meanings in new contexts and how and under what conditions they feed into, affect, and are affected by the reorganization of politics in post-cold war, postcolonial, globalizing human rights contexts.
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Mental health --- Gender roles --- Men --- Psychoanalysis --- Psychology --- Sexuality --- Women --- Book
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Personal narratives have become one of the most potent vehicles for advancing human rights claims across the world. This text explores what happens when autobiographical narratives are produced, received and circulated in the field of human rights. Author Schaffer from University of Adelaide, SA.
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