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Based on an in-depth ethnographic study working with some of the world's most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are

Decoration and ornament --- Graffiti --- Street art --- Art, Street --- Art, Wall --- Wall art --- Art and society --- Mural painting and decoration --- Performance art --- Politics in art --- Graffiti culture --- Folklore --- Inscriptions --- Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Art --- Decorative arts --- Arts and crafts movement --- Social aspects. --- Decoration and ornament, Primitive

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Street art --- Graffiti --- Art, Municipal --- Graffiti artists --- Art dans la rue --- Graffiti --- Art urbain --- Graffiteurs --- History --- History. --- History --- Histoire --- Histoire --- Histoire

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Art --- street art --- public spaces --- sculpting --- kunst in de openbare ruimte --- graffiti [casual notations] --- anno 2000-2099

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