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Comparative literature --- Heidegger, Martin --- Celan, Paul
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"Les contributions réunies dans ce volume considèrent les notions de "traduction" et de "transmission" à partir de l'intraduisible ou de la perturbation de la transmission. Elles considèrent l'intraduisible comme un point de bascule permettant d'analyser les objets littéraires, culturels et médiatiques non comme une limite de la traduction ou de la communication interculturelle. Les auteurs cherchent à localiser les zones de résistance à partir desquelles la traduction redéfinit sans cesse ses conditions de possibilités linguistiques, médiatiques et culturelles. Plus précisément, il s'agit de mettre l'accent sur un point resté aveugle dans les Translation Studies ainsi que dans les prolongements du côté des médias et de la culture en s'affrontant explicitement aux perturbations constructives et constitutives de la traduction et de la transmission. Se pourrait-il que la perturbation soit l'élément commun permettant de relier les traductions langagières, littéraires et les transmissions culturelles et médiatiques? Serait-ce à partir de l'interruption qu'il faut esquisser un espace de tensions structurelles, une zone intermédiaire de la traduction?"-- Page 4 of cover
Littérature --- Traduction --- Literaire vertaling --- Onvertaalbaarheid --- Translating and interpreting --- Traduction. --- Literaire vertaling. --- Onvertaalbaarheid. --- Congresses --- Translating and interpreting - Congresses
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Since 2010 we have witnessed new ways of assembling, which have made the word »democracy« sound important again. These practices may not have led to the political changes we had hoped for. Nevertheless, we are convinced of their importance. This book wants to acknowledge them as a starting point for a new art of being many: The »many« invoke new concepts of collectivity by renegotiating their modes of participation and (self-)presentation and by rewriting rhetorical, choreographical, and material scripts of assembling. This volume is inspired and informed by the square-occupations and neighborhood assemblies of the »real democracy« movements as well as by recent explorations of the assembly form in performance art and participatory theatre. Besprochen in: Zivilgesellschaft Info, 30.03.2017
Theater rehearsals. --- Collective behavior. --- Crowds. --- Persons --- Collective behavior --- Riots --- Behavior, Collective --- Crowd behavior --- Crowds --- Mass behavior --- Human behavior --- Social action --- Social psychology --- Rehearsals, Theater --- Psychology --- Art; Activism; Democracy; Assembly; Politics; Culture; Civil Society; Social Relations; Cultural Studies; Social Movements --- Activism. --- Assembly. --- Civil Society. --- Cultural Studies. --- Culture. --- Democracy. --- Politics. --- Social Movements. --- Social Relations.
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Since 2010 we have witnessed new ways of assembling, which have made the word 'democracy' sound important again. These practices may not have led to the political changes we had hoped for. Nevertheless, we are convinced of their importance. This book wants to acknowledge them as a starting point for a new art of being many: The 'many' invoke new concepts of collectivity by renegotiating their modes of participation and (self-)presentation and by rewriting rhetorical, choreographical, and material scripts of assembling. This volume is inspired and informed by the square-occupations and neighborhood assemblies of the 'real democracy' movements as well as by recent explorations of the assembly form in performance art and participatory theatre.
Theatrical science --- drama [literature] --- Collective behavior. --- Crowds. --- Democracy --- Negotiation. --- Politics and culture. --- Social movements. --- Theater rehearsals. --- Philosophy. --- drama [discipline] --- kunstsociologie
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In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study proposes a transdisciplinary approach towards handwritten artefacts in modern European theatre. Martin Jörg Schäfer and Alexander Weinstock examine the many-handed creation, handwritten transformation and often decades of use of prompt books in a time increasingly dominated by print. This perspective changes our notion of theatre history around 1800 as well as that of literature and authorship.
PERFORMING ARTS / Theater / History & Criticism. --- Cultural History. --- Germany. --- Hamburg. --- Literary Studies. --- Literature. --- Manuscripts. --- Theatre Studies.
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