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The book presents the proceedings of Rob/Arch 2016, the third international conference on robotic fabrication in architecture, art, and design. The work contains a wide range of contemporary topics, from methodologies for incorporating dynamic material feedback into existing fabrication processes, to novel interfaces for robotic programming, to new processes for large-scale automated construction. The latent argument behind this research is that the term ‘file-to-factory’ must not be a reductive celebration of expediency but instead a perpetual challenge to increase the quality of feedback between design, matter, and making.

Mechanical Engineering - General --- Mechanical Engineering --- Engineering & Applied Sciences --- Architecture and technology --- Architecture --- Robots, Industrial. --- Building --- Design and technology --- Technological innovations --- Technology and design --- Architectural engineering --- Buildings --- Construction --- Construction science --- Engineering, Architectural --- Industrial robots --- Architecture, Western (Western countries) --- Building design --- Western architecture (Western countries) --- Technology and architecture --- Design and construction --- Structural design --- Structural engineering --- Construction industry --- Automatic machinery --- Robots --- Art --- Technology --- Computer science. --- Robotics and Automation. --- User Interfaces and Human Computer Interaction. --- Diseño --- Robótica y automatización --- Diseño arquitectónico --- Innovaciones tecnológicas --- Informatics --- Science --- Robotics. --- Automation. --- User interfaces (Computer systems). --- Interfaces, User (Computer systems) --- Human-machine systems --- Human-computer interaction --- Automatic factories --- Automatic production --- Computer control --- Engineering cybernetics --- Factories --- Industrial engineering --- Mechanization --- Assembly-line methods --- Automatic control --- CAD/CAM systems --- Robotics --- Automation --- Machine theory --- User interfaces. --- Engineering. --- Industrial arts

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An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed today. The Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look, one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page. --Letterform Archive

Graphic arts --- Graphic design (Typography) --- Advertising layout and typography --- Art schools --- History --- Bauhaus