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sculpting --- Sculpture --- installations [visual works] --- mixed media --- cities --- rooms [interior spaces] --- spheres [geometric figures] --- flower [plant material] --- glassworking --- outdoor sculpture --- Mullican, Matt --- kunst --- beeldhouwkunst --- installaties --- Mullican Matt --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- 7.071 MULLICAN --- Exhibitions --- Mullican, Matt, --- Art and architecture --- (069) --- 7.07 --- 73.07 --- Beeldende kunst ; installaties ; 1977-2006 ; Matt Mullican --- Beeldhouwkunst ; assemblages --- Environments ; maquettes ; schaalmodellen --- Mullican, Matt °1951 (°Santa Monica, Californië, Verenigde Staten) --- (Musea. Collecties) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- hypnose (kunst)
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Sigfried Giedion (1888-1968) and Carola Giedion-Welcker (1893-1979) were among the most distinguished and influential scholars of art and architecrual history during the 20th century's earlier dacades. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max Ernst, Walter Gropius, Barbara Hepworth, Le Corbusier, László Moholy-Nagy, Piet Mondrian, or Sophie Taeuber-Arp. The discourses they initiated, for example on the New Vision in photography or a 'Synthesis of Arts,' have lost nothing of their relevance and provide new starting points until the present day. The estate of Sigfried and Carola Giedion-Welcker is today kept in Zurich at ETH Zurich's Institute for the History and Theory of Architecture, the Swiss Isntitute for Art Research, the University of Zurich's Institute of Romance Studies, and the James Joyce Foundation. It comprises some 16,000 letters, 10,000 photographic prints and negatives, a wealth of other papers, and a vast library. This new book offers a revaluation of Sigfried and Carola Giedion-Welcker work, impact, and lasting significance. Editor and contributors were the first to draw fully on the estate, which has been opened entirely to researchers only recently. Featuring a vast number of previously unpublished documents and other images alongside excerpts from the extensive correspondence the two maintained with their artist friends and colleagues in academia, it provides a unique and manifold insight into the 'Giedion universe.'
Architectural historians --- Art historians --- Biography --- Giedion, S. --- Giedion-Welcker, Carola, --- Giedion-Welcker, Carola., --- Giedion-Welcker, Carola. --- Giedion-Welcker, Carola --- Historiens d'art --- Art historians - Switzerland - Correspondence --- Giedion, S. - (Sigfried), - 1888-1968 --- Giedion, S. - (Sigfried), - 1888-1968 - Archives --- Giedion-Welcker, Carola - Archives --- Giedion, S. - (Sigfried), - 1888-1968 - Correspondence --- Giedion-Welcker, Carola - Correspondence
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Art chrétien --- Musée --- Histoire de l'art --- Vienne
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"Christian Menn is one of the most renowned structural engineers in the world. He is known in particular for his remarkable bridges, such as the Leonard P. Zakim Bunker Hill Memorial Bridge in Boston. This book is the first to document Menn's work in detail, alongside his vision, philosophy, and thinking about design and engineering. Presenting around thirty of his designs--both built and unbuilt--via full-color photographs, plans, and drawings, the book celebrates Menn's creative solutions to challenging engineering problems and his constant rethinking of the fundamentals of his profession. Menn's own writings on his work are accompanied by essays from fellow engineer David P. Billington, scholar Werner Oechslin, writer Iso Camartin, and others, all of whom offer different takes on Menn's achievement."--
Bridges --- Menn, Christian --- Bridges, Highway --- Express highways --- Highway bridges --- Transportation --- Viaducts --- History --- Menn, Christian, --- Ponts --- Conception et construction --- Structural engineering --- Structure de grande portée --- Procédé de construction --- Béton précontraint --- Béton armé --- Pont --- History and criticism --- History and criticism. --- Conception et construction. --- Bridges - History and criticism --- Structural engineering - History and criticism --- Bridges - Pictorial works --- Menn, Christian, - 1927- - History and criticism --- Menn, Christian, - 1927 --- -Bridges
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Noa Eshkol (1924-2007) was a remarkable personality, creative and versatile. In collaboration with Avraham Wachman, the daughter of the third prime minister of Israel developed a system of notation for dance in order to capture ephemeral dance movements and thus lend them an enduring form. When a member of the Noa Eshkol Chamber Dance Group served in the military during the Yom Kippur War, the choreographer began creating wall carpets made of found or donated uncut pieces of fabric. Over the course of the years Eshkol made collages out of a wide range of fabrics and patternsfrom the remnants of uniforms to kaffiyehselaborate figurative or abstract compositions that her dancers later sewed together for her. Her unusual tapestries shed light on a unique relationship between modern art and dance.
dance [performing arts genre] --- tapestries --- choreography --- Eshkol, Noa
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National socialism and art. --- Haus der Kunst München --- History.
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