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Chopin, Frederic --- -Criticism and interpretation --- Chopin, Frédéric, --- Hsiao-pang, --- Шопен, Ф. --- Shopen, F. --- Shūpān, --- Shūbān, Frīdirīk, --- Szopen, Fryderyk Franciszek, --- Shopan, --- Chopin, Fryderyk Franciszek, --- Syopʻang, --- Chopin, Federico, --- Шопен, Фредерик, --- Shopen, Frederik, --- Chopin, Fr., --- Shobēn, Frētērikʻ, --- Chopin, F., --- Шопен, Фридерик, --- Shopen, Friderik, --- Chopin, Frederick, --- Chopin, Federic, --- Chopin, Fréd., --- Criticism and interpretation. --- Chopin, Frédéric, 1810-1849 - Criticism and interpretation. --- 78.66 --- 78.21.1 Chopin --- 78.43.2
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Music --- Musique --- History and criticism --- Social aspects --- Histoire et critique --- Aspect social --- 19e eeuw --- 20e eeuw --- Laatromantiek
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Music --- Musique --- History and criticism --- Histoire et critique --- History and criticism. --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- muziekgeschiedenis --- anno 1800-1899 --- 19th century --- Music - 19th century - History and criticism.
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Chopin's four ballades are widely regarded as being amongst the most significant extended works for solo piano of the nineteenth century. In an illuminating discussion, Jim Samson combines history and analysis to provide the reader with a comprehensive picture of these popular piano works. He begins by investigating the social and musical background to Chopin's unique style. He describes the manuscript sources and evaluates the many subsequent printed editions, then considers the critical reception of the ballades and the differing interpretations of well-known nineteenth- and twentieth-century pianists. The final two chapters examine the music of all four works analytically. There is a clearly presented formal synopsis of each ballade in turn, followed by a discussion of the works collectively which explores Chopin's own conception of the title 'ballade' and how it may be understood as a musical genre.
513 --- Muziekanalyse - vormleer --- Ballades (Instrumental music) --- Piano music --- History and criticism. --- Instrumental music --- History and criticism --- Chopin, Frédéric, --- Chopin, Fryderyk Franciszek, --- Chopin, Frédéric --- 526.30 --- Genre- en werkbesprekingen --- Muziekanalyses --- Muziekgeschiedenis --- Sociologie --- Piano --- Ballades --- Chopin, Fryderyk (1810-1849) --- Polen --- 19e eeuw --- Frankrijk
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This book asks how a study of many different musics in South East Europe can help us understand the construction of cultural traditions, East and West. It crosses boundaries of many kinds, political, cultural, repertorial and disciplinary. Above all, it seeks to elucidate the relationship between politics and musical practice in a region whose art music has been all but written out of the European story and whose traditional music has been subject to appropriation by one ideology after another. South East Europe, with its mix of ethnicities and religions, presents an exceptionally rich field of study in this respect. The book will be of value to anyone interested in intersections between pre-modern and modern cultures, between empires and nations and between culture and politics.
Music --- MUSIC / Genres & Styles / International --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- History --- Annals --- Auxiliary sciences of history
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Atonality. --- Music --- History and criticism.
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Atonality --- Music --- History and criticism
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