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As the witty and passionate chief art critic for New York magazine, Jerry Saltz is often approached by artists, both amateur and professional, asking him for advice: How do I get started? How do I get better? Is what I'm doing even art at all? They want to know, in short, how to be an artist. Now, expanding on his viral cover story for New York magazine - and drawing on his decades of immersion in the art world - Saltz has the answers. HOWTO BE AN ARTIST is an indispensable book of practical inspiration for creative people of all kinds. Brimming with dozens of brand new rules, prompts, exercises, and tips designed to break through creative blocks, ignite motivation, and conquer bad habits, this book is designed to help artists of all kinds - painters, photographers, writers, performers - realize their dreams.

Art --- Artists --- Vocational guidance --- creativity --- artists [visual artists] --- art criticism

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Periodically, the art world is rocked by explosions - by the emergence of new artists, new genres, new forms and images, new values and concerns. The art surveyed in Beyond Boundaries is now generating shock waves that are being felt worldwide. Although few if any new Superstars have yet arisen, there is little doubt that many will appear - and equally little doubt that most of those are included in this book. Not only new, but also radical in their techniques, these artists combine painting, sculpture, and photography in a stylistic diversity that ranges from hyperrealism to geometric abstraction. The art speaks with many faces and many voices, yet is united by its time and place and by its explosive development as a significant force in contemporary art. As Roberta Smith writes in her introductory essay : This is no longer a time of polar (or semipolar) oppositions.... The territories opened during the past fifteen years are now being scutinized in detail.... Under negotation is a new, more completely balanced art.... In addition, there seems to be a pervasive realization that pleasrure is its own form of knowledge, that few things communicate like an engaging visuality. The pleasures of the text are not incompatible with those of the object. By presenting a partial census of some of the best and most promising art in New York in the mid 1980s, we hope to demonstrate something important about both the recent past and the immediate future. Beckman, Ericka ; Belcher, Alan ; Bender, Gretchen ; Bickerton, Ashley ; Birnbaum, Dara ; Bleckner, Ross ; Casebere, James ; Charlesworth, Sarah ; Clegg & Guttmann ; Condo, George ; Dunham, Carroll ; Dwyer, Nancy ; Ess, Barbara ; Fischer, R.M. ; Fujita, Kenji ; Gober, Robert ; Goldin, Nan ; Goldstein, Jack ; Halley, Peter ; Hansell, Freya ; Innerst, Mark ; Joelson, Suzanne ; Kass, Deborah ; Kessler, Jon ; Knight, Karla ; Minter, Marilyn ; Kohlhöfer, Christof ; Koons, Jeff ; Kruger, Barbara ; Larmon, Kevin ; Lasker, Jonathan ; Lawler, Louise ; Lemieux, Annette ; Levine, Sherrie ; McCollum, Allan ; McDermott & McGough ; Mentor, Will ; Nadin, Peter ; Nagy, Peter ; Newman, John ; Otterson, Joel ; Prince, Richard ; Rockman, Alexis ; K.O.S. ; Rollins, Tim ; Schuyff, Peter ; Simmons, Laurie ; Steinbach, Haim ; Stephan, Gary ; Storey, David ; Taaffe, Philip ; Tansey, Mark ; Vaisman, Meyer ; Wallace & Donohue ; Westfall, Stephen ; Winters, Terry ; Wool, Christopher

jaren 80 --- New York --- Kunst ; Verenigde Staten ; New York ; 1983-1986 --- Schilderkunst ; fotografie ; installaties ; 1983-1986 --- 7.038(74) --- Kunstgeschiedenis ; 1950 - 2000 ; Verenigde Staten, Noord-Oosten --- Amerika --- Verenigde Staten van Amerika --- Art, American --- Avant-garde (Aesthetics) --- Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Aesthetics --- Modernism (Art) --- History --- East Village (New York, N.Y.)

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Antoni, Janine ; Arienti, Stefano ; Benning, Sadie ; Xu Bing ; Cabrita Reis, Pedro ; Cadieux, Geneviève ; Civera, Victoria ; Dávila, Juan ; Delvoye, Wim ; Dion, Mark ; Dittborn, Eugenio ; Doherty, Willie ; Dujourie, Lili, Dumas, Marlene ; Durham, Jimmie ; Eichhorn, Maria ; Fleury, Sylvie ; Green, Renée ; Hatoum, Mona ; Hernandez-Diez, José Antonio ; Hill, Gary ; Hirst, Damien ; Jubelin, Narelle ; ECHO ; Kingelez, Bodys Isek ; Kippenberger, Martin ; etc.

Art, Modern --- Art --- Exhibitions --- Expositions --- scripts [writing] --- globalization --- Mora, Pedro --- Civera, Victoria --- Wilson, Fred --- Dujourie, Lili --- Kingelez, Bodys Isek --- Kopystiansky, Igor --- Fleury, Sylvie --- Tiravanija, Rirkrit --- Arienti, Stefano --- Jubelin, Narelle --- Bing, Xu --- McCarthy, Paul --- Hatoum, Mona --- Phaophanit, Vong --- Löfdahl, Eva --- Cadieux, Geneviève --- Kopystiansky, Svetlana --- Doherty, Willie --- Lysácek, Petr --- Salcedo, Doris --- Dion, Mark --- Hernández-Diez, José Antonio --- Green, Renée --- Hill, Gary --- Piper, Keith --- Reis, Pedro Cabrita --- Kruk, Mariusz --- Moraza, Juan Luis --- Rennó, Rosângela --- Odenbach, Marcel --- Ngetchopa, Jean-Baptiste --- Hirst, Damien --- Pierre et Gilles --- McCarty, Marlene --- Miyajima, Tatsuo --- Morimura, Yasumasa --- KCHO --- López Cuenca, Rogelio --- Kippenberger, Martin --- Scher, Julia --- Eichhorn, Maria --- Ruppersberg, Allen --- assemblages [sculpture] --- installations [visual works] --- Iconography --- History --- art history --- Durham, Jimmie --- Benning, Sadie --- Williams, Sue --- Delvoye, Wim --- Ringgold, Faith --- Dumas, Marlene --- Antoni, Janine --- Dittborn, Eugenio --- Dávila, Juan --- Orozco, Gabriel --- Smith, Kiki --- anno 1900-1999 --- anno 1980-1989 --- Africa --- Xu Bing --- culturele diversiteit (kunst)

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Pahlsson, Sven

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Jaar, Alfredo --- Jones, Ronald, --- Exhibitions. --- Interviews. --- Exhibitions