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Coding theory and cryptography allow secure and reliable data transmission, which is at the heart of modern communication. Nowadays, it is hard to find an electronic device without some code inside. Gröbner bases have emerged as the main tool in computational algebra, permitting numerous applications, both in theoretical contexts and in practical situations. This book is the first book ever giving a comprehensive overview on the application of commutative algebra to coding theory and cryptography. For example, all important properties of algebraic/geometric coding systems (including encoding, construction, decoding, list decoding) are individually analysed, reporting all significant approaches appeared in the literature. Also, stream ciphers, PK cryptography, symmetric cryptography and Polly Cracker systems deserve each a separate chapter, where all the relevant literature is reported and compared. While many short notes hint at new exciting directions, the reader will find that all chapters fit nicely within a unified notation.

Coding theory. --- Cryptography. --- Gro ̈bner bases. --- Grèobner bases --- Coding theory --- Cryptography --- Mathematics --- Physical Sciences & Mathematics --- Algebra --- Gröbner bases. --- Gröbner basis theory --- Cryptanalysis --- Cryptology --- Secret writing --- Steganography --- Mathematics. --- Data encryption (Computer science). --- Computers. --- Computer science --- Algebra. --- Discrete mathematics. --- Combinatorics. --- Discrete Mathematics. --- Data Encryption. --- Mathematics of Computing. --- Theory of Computation. --- Commutative algebra --- Signs and symbols --- Symbolism --- Writing --- Ciphers --- Data encryption (Computer science) --- Data compression (Telecommunication) --- Digital electronics --- Information theory --- Machine theory --- Signal theory (Telecommunication) --- Computer programming --- Computer science. --- Information theory. --- Cryptology. --- Communication theory --- Communication --- Cybernetics --- Informatics --- Science --- Data encoding (Computer science) --- Encryption of data (Computer science) --- Computer security --- Combinatorics --- Mathematical analysis --- Computer science—Mathematics. --- Discrete mathematical structures --- Mathematical structures, Discrete --- Structures, Discrete mathematical --- Numerical analysis --- Automatic computers --- Automatic data processors --- Computer hardware --- Computing machines (Computers) --- Electronic brains --- Electronic calculating-machines --- Electronic computers --- Hardware, Computer --- Computer systems --- Calculators --- Cyberspace --- Grobner bases.

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This volume investigates the relationships between music and propaganda in the twentieth-century. Music can be utilised to attribute and ascribe multivalent meanings. Due to its great evocative power it has often been directly exploited by regimes and governments. In what ways does music convey the messages of propaganda? Which are the political and economical implications behind musical propaganda? Much has been written about the relationship between music and propaganda during the two world wars, but the post-war dimensions of the topic also require investigation. The authors featured in this volume are: M. I. Cabrera García, P. Christiansen, P. F. de Castro, L. Durakovi?, F. J. Fernández Vicedo, M. Fornaro Bordolli, D. Gangale, G. Gan Quesada, L. J. Hansen, E. Levi, S. Majer-Bobetko, H. Marinho, L. Martin-Chevalier, M. B. Martínez del Fresno, V. Miki?, P. Ordóñez Eslava, J. J. Pastor Comín, B. Pérez Castillo, G. Pérez Zalduondo, V. Radoman, C. Schutte, L. R. Semmes, H. Š iš ková, A. Stimie, W. Studdert, A. Tuchowski, H. Vandervlist, B. Vega Pichaco, L. Velasco Pufleau.

Music in propaganda --- Music --- Musique dans la propagande --- Musique --- Political aspects --- Aspect politique --- politieke muziek --- muziekgeschiedenis --- anno 1900-1999 --- Music and propaganda --- History --- 20th century

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Clementi, Muzio

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In this book, edited by Roberto Illiano and Massimiliano Sala, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteen nations under totalitarian regimes: Argentina, Brazil, Chile, Cuba, France, Greece, Germany, Italy, Mexico, Poland, Portugal, Russia, Serbia, Spain, and Hungary. Historical and aesthetical articles face both individual people (for instance, Chavez, Ligeti, Massarani or Villa-Lobos) as well whole generations of composers operating under dictatorship (for example, in the communist regimes of Poland and Serbia; in France under Vichy; in Franco's Spain, Salazar's Portugal, or in Revolutionary Cuba).

Music --- Totalitarianism and music --- Fascism and music --- National socialism and music --- Communism and music --- Musique --- Totalitarisme et musique --- Fascisme et musique --- Nazisme et musique --- Communisme et musique --- Political aspects --- Aspect politique --- muziekgeschiedenis --- anno 1900-1999 --- Latin America --- Europe --- Music and fascism --- Music and totalitarianism --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Dictatorship