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This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.
Computer science. --- Music. --- User interfaces (Computer systems). --- Cognitive psychology. --- Computer Science. --- User Interfaces and Human Computer Interaction. --- Cognitive Psychology. --- Psychology, Cognitive --- Cognitive science --- Psychology --- Interfaces, User (Computer systems) --- Human-machine systems --- Human-computer interaction --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Informatics --- Science --- Consciousness. --- Apperception --- Mind and body --- Perception --- Philosophy --- Spirit --- Self --- Haptic Musical Instruments --- User Experience --- Musical Performance --- Interface Design and Evaluation --- Haptic Psychophysics
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The Present, Past, and Future of Timbre Research Kai Siedenburg, Charalampos Saitis, and Stephen McAdams The Perceptual Representation of Timbre Stephen McAdams Timbre Recognition and Sound Source Identification Trevor R. Agus, Clara Suied, and Daniel Pressnitzer Memory for Timbre Kai Siedenburg and Daniel Müllensiefen The Semantics of Timbre Charalampos Saitis and Stefan Weinzierl Neural Correlates of Timbre Processing Vinoo Alluri and Sudarsana Reddy Kadiri Voice Processing and Voice-Identity Recognition Samuel Robert Mathias and Katharina von Kriegstein Timbre as a Structuring Force in Music Stephen McAdams Timbre, Sound Quality, and Sound Design Guillaume Lemaitre and Patrick Susini Timbre Perception with Cochlear Implants Jeremy Marozeau and Wiebke Lamping Audio Content Descriptors of Timbre Marcelo Caetano, Charalampos Saitis, and Kai Siedenburg Modulation Representations for Speech and Music Mounya Elhilali Timbre from Sound Synthesis and High-level Control Perspectives Sølvi Ystad, Mitsuko Aramaki, and Richard Kronland-Martinet Kai Siedenburg is Marie Sklodowska-Curie Individual Postdoctoral Fellow in the Department of Medical Physics and Acoustics at the Carl von Ossietzky Universität Oldenburg, Germany Charalampos Saitis is Lecturer and Humboldt Research Fellow in the Audio Communication Group at Technische Universität Berlin, Germany Stephen McAdams is Professor and Canada Research Chair in Music Perception and Cognition in the Department of Music Research at McGill University, Montreal, Canada Arthur N. Popper is Professor Emeritus and research professor in the Department of Biology at the University of Maryland, College Park Richard R. Fay is Distinguished Research Professor of Psychology at Loyola University, Chicago .
Hearing. --- Sound --- Bioacoustics --- Acoustics --- Audition (Physiology) --- Physiological acoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Listening --- Psychological aspects. --- Neurosciences. --- Acoustics. --- Neural sciences --- Neurological sciences --- Neuroscience --- Medical sciences --- Nervous system
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