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Narratology has been conceived from its earliest days as a project that transcends disciplines and media. The essays gathered here address the question of how narrative migrates, mutates, and creates meaning as it is expressed across various media. Dividing the inquiry into five areas: face-to-face narrative, still pictures, moving pictures, music, and digital media, 'Narrative across Media' investigates how the intrinsic properties of the supporting medium shape the form of narrative and affect the narrative experience. Unlike other interdisciplinary approaches to narrative studies, all of which have tended to concentrate on narrative across language-supported fields, this unique collection provides a much-needed analysis of how narrative operates when expressed through visual, gestural, electronic, and musical means. In doing so, the collection redefines the act of storytelling. Although the fields of media and narrative studies have been invigorated by a variety of theoretical approaches, this volume seeks to avoid a dominant theoretical bias by providing instead a collection of concrete studies that inspire a direct look at texts rather than relying on a particular theory of interpretation. A contribution to both narrative and media studies, 'Narrative across Media' is the first attempt to bridge the two disciplines.

storytelling --- Fiction --- Literary rhetorics --- Mass communications --- Narration (Rhetoric) --- Mass media --- narratologie --- literatuur --- woord en beeld --- schilderkunst --- beeldhouwkunst --- graphic novels --- Maus --- Spiegelman Art --- filmtheorie --- reality tv --- muziek --- nieuwe media --- computerspellen --- interactiviteit --- 7.01 --- 82-3 --- Proza. Fictie. Narratologie --- Athapascan Indians --- Athapascan mythology. --- Mass media. --- Tales --- Narration (Rhetoric). --- 82-3 Proza. Fictie. Narratologie --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Mass communication --- Media, Mass --- Media, The --- Communication --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative

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Computers and civilization --- Computers en beschaving --- Ordinateurs et civilisation --- 82.0 --- 82:1 --- 82:62 --- Literatuurtheorie --- Literatuur en filosofie --- Literatuur en technologie --- Computers and civilization. --- Electronic publications --- Literature --- Philosophy. --- 82:62 Literatuur en technologie --- 82:1 Literatuur en filosofie --- 82.0 Literatuurtheorie --- Literature and philosophy --- Philosophy and literature --- Online publications --- Digital media --- Publications --- Civilization and computers --- Civilization --- Philosophy --- Theory --- Electronic publishing

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Narration (Rhetoric) --- Interactive multimedia --- narratologie --- televisie --- reality tv --- filmtheorie --- internet --- computerspellen --- literatuur --- interactiviteit --- nieuwe media --- multimedia --- 791.5 --- 82:659.3 --- 82:62 --- 82-3 --- Literatuur en massacommunicatie --- Literatuur en technologie --- Proza. Fictie. Narratologie --- Interactive multimedia. --- Narration (Rhetoric). --- 82-3 Proza. Fictie. Narratologie --- 82:62 Literatuur en technologie --- 82:659.3 Literatuur en massacommunicatie --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Hypermedia systems --- Interactive media --- Computer software --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative

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The question of how narratives actually do the work of world-building transcends disciplines: from cosmology to philosophy, digital culture, popular culture, and literary theory. In A New Anatomy of Storyworlds, Marie-Laure Ryan investigates the narratological importance of the concept of world in its various manifestations. She uses a wide array of works—from Sokal’s hoax to Maus, from Saussure to Barthes, from Kafka to virtual reality—to interrogate key narratological concepts. By revisiting and redefining concepts such as narrator, plot, character, fictionality, mimesis, and diegesis, Ryan reexamines the major controversies that have enlivened narratology: Does narrative necessarily involve a narrator? Is the notion of implied author useful? Do texts that challenge our experience of the real world require a different narratology? Is the distinction between fictional and factual narratives gradual or binary? Ultimately, Ryan grounds narratology in the concept of world to propose an alternative to the rhetorical, feminist, unnatural, and cognitive approaches that currently dominate the field, thus broadening the frame through which we view story and world-building.

Pragmatics --- Fiction --- Narration (Rhetoric) --- Discourse analysis, Narrative --- Rhetoric --- Narratees (Rhetoric) --- History and criticism --- Discourse analysis, Narrative. --- History and criticism.

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Saint-John Perse