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In formulating a notion of filmic reality, The Reality of Film offers a novel way of understanding our relationship to cinema. It argues that cinema need not be understood in terms of its capacities to refer to, reproduce or represent reality, but should be understood in terms of the kinds of realities it has the ability to create.The Reality of Film investigates filmic reality by way of six key film theorists: André Bazin, Christian Metz, Stanley Cavell, Gilles Deleuze, Slavoj Žižek and Jacques Rancière. In doing so, it provides comprehensive introductions to each of these thinkers, while als

Motion pictures --- Realism in motion pictures --- Reality in motion pictures --- Cinéma --- Réalisme dans le cinéma --- Réalité au cinéma --- Philosophy. --- Philosophie --- Realism in motion pictures. --- Reality in art. --- Film. --- Filmtheorie. --- Motion pictures -- Philosophy. --- Music, Dance, Drama & Film --- Film --- Philosophy --- Cinéma --- Réalisme dans le cinéma --- Réalité au cinéma

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CinemaAfter Deleuzeoffers a clear and lucid introduction to Deleuzes writings on cinema whichwill appeal both to undergraduates and specialists in film studies andphilosophy. The book provides explanations of the many categories andclassifications found in Deleuzes two landmark books on cinema and offersassessments of a range of films, including works by John Ford, SergeiEisenstein, Alfred Hitchcock, Michelangelo Antonioni, Alain Resnais and others.Contemporary directors such as Steven Spielberg, Lars von Trier, MartinScorsese and Wong Kar-wai are also examined in the light of Deleuzes theorie

Motion pictures --- Philosophy. --- Deleuze, Gilles, --- Criticism and interpretation. --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- Delezi, Jier, --- دولوز، جيل

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Modern European cinema and love examines nine European directors whose films contain stories about romantic love and marriage. The directors are Jean Renoir, Ingmar Bergman, Alain Resnais, Michelangelo Antonioni, Agnès Varda, François Truffaut, Federico Fellini, Jean-Luc Godard and Éric Rohmer. The book approaches questions of love and marriage from a philosophical perspective, applying the ideas of authors such as Stanley Cavell, Leo Bersani, Luce Irigaray and Alain Badiou, while also tracing key concepts from Freudian psychoanalysis. Each of the filmmakers engages deeply with notions of modern love and marriage, often in positive ways, but also in ways that question the institutions of love, marriage and the 'couple'.

Motion pictures --- Love in motion pictures --- History.

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Theatricality and the Arts presents a series of investigations of the notion of ‘theatricality’. Primarily, theatricality concerns that which pertains to theatre, but the term has always carried with it the potentially pejorative associations of exaggeration and fakery. The essays here question and contest such associations.The book is divided into four sections which together provide a comprehensive interrogation of theatricality. The four sections begin with multimedia, where theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). A second section takes a philosophical approach to questions of theatricality. A third section looks at art, broadly speaking, but also at the historical contexts of art, photography and other media (literature, film, music). A final section features reflections on theatre and cinema, often in conjunction.Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a cross-examination of approaches to the topic.

Theater --- Theater and society. --- Theater in art. --- Motion pictures and theater. --- Théâtre --- Théâtre et société. --- Théâtre dans l'art. --- Cinéma et théâtre. --- Philosophy. --- Aesthetics. --- In mass media. --- Esthétique.

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Art