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Book
Rethinking Britten
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ISBN: 0199794863 9780199794867 9780199794805 0199794804 9780199794812 0199794812 Year: 2013 Publisher: Cary : Oxford University Press, USA,

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Book
Rethinking Britten.
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ISBN: 9780199794812 9780199794805 0199794804 0199794812 0199345244 Year: 2013 Publisher: New York Oxford university press

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"Rethinking Britten offers a fresh portrait of one of the most widely performed composers of the 20th century. In twelve essays, a diverse group of contributors--both established authorities and leading younger voices--explore a significant portion of Benjamin Britten's extensive oeuvre across a range of genres, including opera, song cycle, and concert music. Well informed by earlier writings on the composer's professional career and private life, Rethinking Britten also uncovers many fresh lines of inquiry, from the Lord Chamberlain's last-minute censorship of the Rape of Lucretia libretto to psychoanalytic understandings of Britten's staging of gender roles; from the composer's delight in schoolboy humor to his operatic revival of Purcellian dance rhythms; from his creative responses to Cold-War-era internationalism to his dealings with BBC Television. Each essay blends awareness of overarching contexts with insights into particular expressive achievements. Balancing biographical, archival, and analytic commentary with cultural and historical criticism, Rethinking Britten broadens the interpretive context surrounding all phases of Britten's career and is essential reading for scholars and fans alike."--back cover.

Britten's musical language
Author:
ISBN: 0521631548 0521031036 0511088930 1107127971 051117036X 0511066112 051133124X 0511059809 0511482027 1280417455 113914586X 0511068247 9780511482021 9780511066115 9780511068249 9780521631549 9780521031035 9781107127975 9781280417450 9780511059803 Year: 2001 Volume: *17 Publisher: Cambridge : Cambridge University Press,

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Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretative studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River and Death in Venice) and explores Britten's ability to fashion complex and mysterious symbolic dramas from the interplay of texted song and a wordless discourse of motives and themes. Focusing on the performative and social basis of language, Philip Rupprecht replaces traditional notions of textual 'expression' in opera with the interpretation of topics such as the role of naming and hate speech in Peter Grimes; the disturbance of ritual certainty in the War Requiem; and the codes by which childish 'innocence' is enacted in The Turn of the Screw.


Book
British musical modernism : the Manchester Group and their contemporaries
Author:
ISBN: 1316308146 1316321525 1316328201 1316324869 1316331547 1316318168 1139033352 0521844487 1316649520 1316287335 9781316318164 9781139033350 9781316331545 9780521844482 9781316649527 Year: 2015 Publisher: Cambridge : Cambridge University Press,

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British Musical Modernism explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and their contemporaries assimilated the serial-structuralist preoccupations of mid-century internationalism to an art grounded in resurgent local traditions. In close readings of some thirty-five scores, Philip Rupprecht traces a modernism suffused with the formal elegance of the 1950s, the exuberant theatricality of the 1960s, and - in the works of David Bedford and Tim Souster - the pop, minimalist, and live-electronic directions of the early 1970s. Setting music-analytic insights against a broader social-historical backdrop, Rupprecht traces a British musical modernism that was at once a collective artistic endeavor, and a sounding myth of national identity.


Digital
British musical modernism : the Manchester Group and their contemporaries
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ISBN: 9781139033350 Year: 2015 Publisher: Cambridge Cambridge University Press

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Keywords

Music --- England --- Great Britain


Book
Tonality 1900 - 1950 : concept and practice.
Authors: --- ---
ISBN: 9783515101608 3515101608 Year: 2012 Publisher: Stuttgart Steiner

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Book
Tonality since 1950
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ISBN: 3515115897 9783515115896 Year: 2017 Publisher: Stuttgart : Franz Steiner Verlag,

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Book
Tonality since 1950
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ISBN: 9783515115827 Year: 2017 Publisher: Stuttgart Franz Steiner Verlag,

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Tonality Since 1950 documents the debate surrounding one of the most basic technical and artistic resources of music in the later 20th century. The flourishing of tonality - a return to key, pitch center, and consonance - in recent decades has undermined received views of its disintegration or collapse ca. 1910, intensifying the discussion of music's acoustical-theoretical bases, and of its broader cultural and metaphysical meanings. While historians of 20th-century music have often marginalized tonal practices, the present volume offers a new emphasis on emergent historical continuities. Musicians as diverse as Hindemith, the Beatles, Reich, and Saariaho have approached tonality from many different angles: as a figure of nostalgic longing, or as a universal law; as a quoted artefact of music's sedimented stylistic past, or as a timeless harmonic resource. Essays by 15 leading researchers cover a wide repertoire of concert and pop/rock music composed in Europe and America over the past half-century

Keywords

Musical analysis --- Tonality --- Music --- Music


Book
Tonality 1900–1950 : Concept and Practice
Authors: --- ---
ISBN: 9783515102063 Year: 2012 Publisher: Stuttgart Franz Steiner Verlag

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