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Virtual Voyages : Cinema and Travel
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ISBN: 0822337134 9780822337133 0822337010 9780822337010 Year: 2006 Publisher: Durham Duke university press

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Abstract

Virtual Voyages illuminates the pivotal role of travelogues within the history of cinema. The travelogue dominated the early cinema period from 1895 to 1905, was central to the consolidation of documentary in the 1910s and 1920s, proliferated in the post-war era of 16mm distribution, and today continues to flourish in IMAX theatres and a host of non-theatrical venues. It is not only the first chapter in the history of documentary but also a key element of ethnographic film, home movies, and fiction films. In this collection, leading film scholars trace the intersection of technology and ideology in representations of travel across a wide variety of cinematic forms. In so doing, they demonstrate how attention to the role of travel imagery in film blurs distinctions between genres and heightens awareness of cinema as a technology for moving through space and time, of cinema itself as a mode of travel. Some contributors take a broad view of travelogues by examining the colonial and imperial perspectives embodied in early travel films, the sensation of movement that those films evoked, and the role of live presentations such as lectures in our understanding of travelogues. Other essays are focused on specific films, figures, and technologies, including early travelogues encouraging Americans to move to the West; the making and reception of the documentary Grass (1925), shot on location in Turkey, Syria, Iraq, and Iran; the role of travel imagery in 1930s Hollywood cinema; the late-twentieth-century 16mm illustrated-lecture industry; and the panoramic possibilities presented by IMAX technologies. Together the essays provide a nuanced appreciation of how, through their representations of travel, filmmakers actively produce the worlds they depict.


Book
Coming soon to a festival near you : programming film festivals
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ISBN: 9781908437020 1908437022 1908437030 9781908437037 Year: 2012 Publisher: Scotland St Andrews Film Studies

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This is a scholarly anthology to examine the fundamental role of programming in film festival culture. Featuring contributions from an impressive range of scholars and festival programmers the book makes a valuable contribution to the growing field of film festival scholarship.

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Film festivals


Book
Virtual voyages : cinema and travel
Author:
ISBN: 0822387948 Year: 2006 Publisher: Durham : Duke University Press,

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The different forms that travelogues have taken (documentaries, IMAX, home movies, ethnographic films) from the 1800s to the present.


Book
Le festival du film de Telluride : l'un des meilleurs de la galaxie
Authors: --- ---
ISBN: 9782343161426 Year: 2019 Publisher: Paris : L'Harmattan,

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Une présentation de ce festival de cinéma américain fondé en 1974. Il se distingue des autres festivals par l'absence de suivi du protocole classique (tapis rouge, compétitions, conférences de presse, etc.) et par le fait que la programmation n'est pas dévoilée à l'avance. Son fonctionnement et sa politique de programmation sont abordés ainsi que son histoire. ©Electre 2019 Des décennies durant, le Festival du film de Telluride a défini son propre territoire de niche cinéphile grâce à des gestes de programmation forts et une ambition auteuriste. Ces dix dernières années, il a acquis une place nouvelle dans la galaxie des festivals de cinéma. En 2009, dans la revue Sight and Sound, le critique Nick Roddick cite Telluride comme l'un des rares festivals qui comptent dans le « monde du cinéma. » Dans sa liste figurent également Cannes, Sundance, Rotterdam, Berlin, Venise, Toronto et Busan, tous des « méga-festivals » radicalement plus grands et plus longs ; Toronto montre 288 films en 2013, tandis que le catalogue de Telluride ne présente que 27 nouvelles oeuvres. La fonction de gardien du temple de l'équipe de programmation de Telluride demeure donc bien plus puissante. La position de Telluride brouille la distinction sinon bien nette qu'établit Mark Peranson, critique et programmateur, dans Dekalog 3 : On Film Festivals, entre les festivals destinés aux professionnels et ceux destinés au public. Les premiers sont dotés de budgets considérablement plus importants, ainsi que de marchés du film, cadeaux pour les services de presse, compétitions, avant-premières, mécénat d'entreprise, importantes équipes, etc.

Keywords

Film festivals


Book
To Free the Cinema

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