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art theory --- portraits --- Burckhardt, Jacob --- Warburg, Aby
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sexuality --- monkeys [animals] --- Equus caballus [species] --- Dürer, Albrecht --- Titian --- Baldung Grien, Hans --- Rembrandt --- Buonarroti, Michelangelo
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History --- art history --- art theory --- painting [image-making] --- biographies [documents] --- Art --- Vasari, Giorgio --- -Criticism and interpretation --- Vasari, Giorgio, --- Vazari, Dzhordzho, --- Vasari, Georges, --- Вазари, Джорджо, --- Criticism and interpretation. --- Criticism and interpretation --- ヴァザリ, ジョルジョ --- biographies [literary works] --- Italiaanse school
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Renaissance bodies, dressed and undressed, have not lacked attention in art historical literature, but scholarship on the male body has generally concentrated on phallic-oriented masculinity and been connected to issues of patriarchy and power. This original book examines the range of meaning that has been attached to the male backside in Renaissance art and culture, the transformation of the base connotation of the image to high art, and the question of homoerotic impulses or implications of admiring male figures from behind. Representations of the male body's behind have often been associated with things obscene, carnivalesque, comical, or villainous. Presenting serious scholarship with a deft hand, 'Seen from Behind' expands our understanding of the motif of the male buttocks in Renaissance art, revealing both continuities and changes in the ways the images convey meaning and have been given meaning.
Renaissance --- back views --- naakte man --- iconography --- men [male humans] --- Art --- nudes [representations] --- anno 1400-1499 --- anno 1500-1599 --- Art de la Renaisance --- Art, Renaissance. --- Buttocks in art. --- Fesses dans l'art. --- Male nude in art. --- Men in art. --- Nu masculin. --- Thèmes, motifs. --- Iconography --- Men in art --- Male nude in art --- Buttocks in art --- Art, Renaissance --- kunst --- renaissance --- schilderkunst --- beeldhouwkunst --- tekenkunst --- naakt --- mannen --- lichamelijkheid --- vijftiende eeuw --- zestiende eeuw --- 7.041 --- 7.034 --- Renaissance art --- Male nude --- Nude in art --- Male figure in art --- Hommes --- Nu --- Fesse --- Art de la Renaissance --- Dans l'art. --- mannelijk naakt --- modellen --- Michelangelo --- 15de eeuw --- 16de eeuw --- (naakte) menselijke figuur; ‘Corpo humano’ (Ripa) --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- (naakte) menselijke figuur; ‘Corpo humano’ (Ripa). --- modellen. --- mannelijk naakt. --- Michelangelo. --- 15de eeuw. --- 16de eeuw. --- lichaam (van de mens)
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Art --- anno 1400-1499 --- Florence
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Art, Memory and Family in Renaissance Florence examines the relationship between the production of objects and the production of memory and history in fifteenth-century Florence. Recent studies of Florence by cultural, social, political and economic historians have resulted in a considerable knowledge of family life in this period and the significance of family, kin and locality in the social and political life of the city. Investigating the means and modes of formulating and recording those relationships, the essays gathered together in this study consider the interconnections between society, art and collective memory.
Arts, Italian --- Families --- Family --- Memory in art --- Memory in literature --- Florence (Italy) --- Civilization
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"The 1470s - the decade of Lorenzo de'Medici's rise to power - was a remarkable moment in Florence's history. It was a time of intense activity for the city's creative workforce. Beauty had long been an intrinsic part of the city's identity and prestige, and rich and powerful Florentine families saw cultivation of the visual arts as an essential way to assert their influence, commissioning artists and craftsmen to create impressive paintings, objects and monuments to enhance their status." "Published to accompany a major exhibition at the National Gallery, London, this illustrated volume offers an introduction to the principal patrons, projects and artistic personalities within Florence during this period. It concentrates on the activities of the leading artists - Andrea del Verrocchio, Antonio and Piero del Pollaiuolo, Sandro Botticelli, Filippino Lippi and the young Leonardo da Vinci - illustrating their special contributions and highlighting their differences, common sources, ambitions and responses to each other."--Jacket.
Verrocchio, del, Andrea --- Pollaiuolo, Piero --- Pollaiolo, del, Antonio --- Art, Italian --- Art, Renaissance --- Painting, Renaissance --- Sculpture, Renaissance --- Decorative arts, Renaissance --- Art italien --- Art de la Renaissance --- Peinture de la Renaissance --- Sculpture de la Renaissance --- Arts décoratifs de la Renaissance --- Exhibitions. --- Expositions --- 7.034 --- CDL --- Exhibitions --- Arts décoratifs de la Renaissance --- Art [Renaissance ] --- Italy --- Florence (Italy) --- Art patronage --- History --- Artists --- Social networks --- Art and society --- Renaissance art --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Art, Italian - Italy - Florence - Exhibitions --- Art, Renaissance - Italy - Florence - Exhibitions
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"This collection of essays considers the way in which the writing of art history intersects with creative writing, from the creative writing of art history to dialogues between styles of creative and art-historical writing."
Art --- Creative writing --- Historiography
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Art [Italian ] --- Italy --- Florence (Italy) --- Congresses --- Family --- Memory in literature --- Memory in art --- Civilization
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