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motion pictures [visual works] --- Photography --- Film --- photography [process] --- installations [visual works] --- Art --- Ohanian, Melik --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.071 OHANIAN --- -791.471 OHANIAN --- 791.45 --- Frankrijk --- Armenië --- Ohanian Melik --- video-installaties --- videokunst --- video --- film --- Video art --- -791.45 --- 791.471 OHANIAN --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Ohanian, Mélik --- Time-based art
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Guide sur cette artiste aux multiples facettes.
Dean, Tacita --- Dean, Tacita, --- Criticism and interpretation. --- Jean-Christophe Royoux, Marina Warner, Germaine Greer --- kunst --- tekenkunst --- schilderkunst --- film --- fotografie --- twintigste eeuw --- Groot-Brittannië --- Dean Tacita --- 7.071 DEAN --- Criticism and interpretation --- Great Britain --- Art --- fine arts --- fine arts [discipline] --- Dean, Tacita, - 1965- - Criticism and interpretation --- Dean, Tacita, - 1965 --- -Art --- Movies --- Artists --- Book
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Art styles --- Iconography --- Art --- Film --- earthworks [sculpture] --- art [discipline] --- wars --- fascism --- video art --- motion pictures [visual works] --- glacial landforms --- deserts --- landscapes [representations] --- Almond, Darren --- Brakhage, Stan --- Dauder, Patricia --- Smithson, Robert --- Korot, Beryl --- Ohanian, Mélik --- Welsby, Chris --- Dean, Tacita --- Benning, James --- anno 1900-1999 --- anno 2000-2099
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Douglas, Stan --- Douglas Stan --- kunst en muziek --- 7.071 DOUGLAS --- kunst --- videokunst --- film --- installaties --- video-installaties --- Canada --- twintigste eeuw --- muziek --- fotografie --- Exhibitions --- Video art --- Exhibitions. --- installations [visual works] --- #breakthecanon --- Video art - British Columbia - Exhibitions.
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motion pictures [visual works] --- Iconography --- Film --- multimedia works --- performing arts --- photography [process] --- art [fine art] --- multi-channel video installations --- Art --- Coleman, James --- anno 1900-1999 --- anno 2000-2099 --- Ireland --- Multimedia (Art) --- Stage photography --- Oeuvres multimédias (Art) --- Photographie de théâtre --- Exhibitions --- Expositions --- Coleman, James, --- Oeuvres multimédias (Art) --- Photographie de théâtre --- Iconografie --- Kunst --- multimedia-werken --- kunst --- uitvoerende kunsten --- fotografie --- films [visuele werken] --- Ierland --- art [discipline] --- performing arts [discipline]
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Edited by Melik Ohanian and Jean-Christophe Royoux. Contributions by Cecil Balmond, Gilles Clément, Beatriz Colomina, Tacita Dean, Richard Drayton, David Elbaz, Patricia Falguières, Medard Gabel, André Gaudreault, Paul Gilroy, Edouard Glissant, Anna Halprin, David Held, Pekka Himanen, Bruno Latour, Charles Musser, Jean-Luc Nancy, Jane Poynter, Jean-Christophe Royoux, Saskia Sassen, Peter Sloterdijk, John Tresch, Eduardo Viveiros de Castro, Robert Whitman. "Often in a cosmogram there's an aim that goes beyond mere description or depiction: it's often a redescription, in the conditional or future tense: not the world as it is but the world as it could be. There can be a utopian intention, the goal of projecting new possibilities into a world which seemed fixed. Or to use a recent example, Philip K. Dick's novels map points where the standard ontology slips, where there are cracks in reality, out of which a new, more complete world can emerge." John Tresch, Humanities Institute, University of Chicago Cosmograms is conceived as an extension of Melik Ohanian's film Seven Minutes Before (2004), a cinematic allegory of both the exhaustion of a certain narrative form and the new privilege accorded to space over time. Collecting twenty-three texts by authors from diverse fields of investigation and research, Cosmograms attempts to map the multiple coordinates of this new spatial paradigm. In his conversation with the editors, the philosopher Peter Sloterdijk claims that "we are now living an epoch in which a more or less satisfied and luxurious conscience is learning the art of arranging its space. Modern man is a sort of 'curator' ... which is to say, an exhibition planner of the space that he himself inhabits. Every man has become a museum curator. We could say that installation art is the common meta-profession that everyone is obliged to practice. The innocence of the traditional habitat is lost for good." "Cosmograms is an extension of Seven Minutes Before, a film for seven screens directed by Malik Ohanian for the French Pavilion at the 26th São Paulo Biennial, 2004"--T.p. verso.
Cinéma --- Ohanian, Melik
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Balula, Davide --- Beloufa, Neil --- Ohanian, Melik --- Sedira, Zineb
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