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Apocalyptic nightmares that humanly-created intelligences will one day rise up against their creators haunt the western creative imagination. However, these narratives find their initial expression not in the widely disseminated Frankenstein story but in William Blake's early mythological works. This book looks at why we persistently fear our own creations by examining Blake's illuminated books of the 1790's through the lens of Kierkegaard's theories of personality and of anxiety. It offers a close examination of Kierkegaard's and Blake's similar, and to an extent shared, historical milieux as
Literature --- Anxiety in literature. --- Littérature --- Angoisse dans la littérature --- Philosophy. --- Philosophie --- Blake, William, --- Kierkegaard, Sren, --- Criticism and interpretation. --- Blake, William, --1757-1827 --Criticism and interpretation. --- Creation in literature. --- Kierkegaard, Søren, --1813-1855. --- Literature --Philosophy. --- Creation in literature --- Anxiety in literature --- English --- English Literature --- Languages & Literatures --- Philosophy --- Kierkegaard, Søren, --- Littérature --- Angoisse dans la littérature --- Literature and philosophy --- Philosophy and literature --- Theory --- Anti-Climacus, --- Bogbinder, Hilarius, --- Chʻi-kʻo-kuo, --- Climacus, Johannes, --- Constantius, Constantin, --- Eremita, Victor, --- Haufniensis, Vigilius, --- Johannes, Climacus, --- Johannes de Silentio, --- Kʹerkegor, Seren, --- Kierkegaard, S. --- Kierkegaard, Severino, --- Kierkegaard, Søren Aabye, --- Kierkegaard, Søren --- K'i︠e︡rkegor, Sʹoren, --- Kīrkajūrd, Sūrīn, --- Kirkegaard, Soeren, --- Kirkegor, Seren, --- Ḳirḳegor, Sern, --- Kirkegors, Sērens, --- Kirukegōru, Søren, --- Kjerkegor, Seren, --- Kʻo-erh-kʻai-ko-erh, --- Notabene, Nicolaus, --- Silentio, Johannes de, --- Sūrīn Kīrkajūrd, --- Victor, Eremita, --- Vigilius, Haufniensis, --- קירקגור, סרן --- קירקגור, סורן --- קירקגור, סירן --- קירקגור, סירן, --- קירקגורד, סרן, --- 克尓凯郭尓, --- Blake, W. --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם --- בלייק, ויליאם --- בליק, ויליאם, --- בלייק, ויליאם, --- Anti-climacus --- H. H. --- Блейк, Уильям, --- Blake, William --- Blake, William, 1757-1827
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Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood. It argues that these contemporary forms of music are not only influenced by but are an expression of Romanticism continuous with their eighteenth- and nineteenth-century influences. Figures such as Blake, Wordsworth, Coleridge, Byron, Keats, Mary Shelley, Percy Shelley, Friedrich, Schlegel, and Hoffman are brought alongside the music and visual aesthetics of the Rolling Stones, the New Romantics, the Pretenders, Joy Division, Nick Cave, Tom Verlaine, emo, Eminem, My Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions.
Literature. --- Music. --- Literature, Modern --- Eighteenth-Century Literature. --- Contemporary Literature. --- Literature --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- 20th century. --- 21st century. --- 18th century. --- Romanticism in music. --- Rock music --- History and criticism. --- Musical romanticism --- Romanticism (Music) --- Style, Musical --- Neoromanticism (Music) --- Literature, Modern-18th century. --- Literature, Modern-20th century. --- Literature, Modern—18th century. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Música contemporània --- Música rock --- Música i literatura --- Literatura --- Música de rock --- Rock (Música) --- Música pop --- Heavy metal (Música) --- Rock de garatge --- Música del segle XX --- Història de la música --- Música --- Música minimal --- Literatura i música
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Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood. It argues that these contemporary forms of music are not only influenced by but are an expression of Romanticism continuous with their eighteenth- and nineteenth-century influences. Figures such as Blake, Wordsworth, Coleridge, Byron, Keats, Mary Shelley, Percy Shelley, Friedrich, Schlegel, and Hoffman are brought alongside the music and visual aesthetics of the Rolling Stones, the New Romantics, the Pretenders, Joy Division, Nick Cave, Tom Verlaine, emo, Eminem, My Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions.
Music --- Literature --- literatuur --- muziek --- anno 1700-1799 --- anno 1900-1999
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David Bowie and Romanticism evaluates Bowie’s music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie’s music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie’s oeuvre and periods of his career. The chapters discuss key themes in Bowie’s work and analyze what Bowie has to teach us about Romantic art and literature as well.
Music --- Theatrical science --- Literature --- performances (kunst) --- theater --- literatuur --- muziek --- anno 1700-1799 --- anno 1800-1899 --- anno 1900-1999 --- Literature, Modern --- Music. --- Performing arts. --- Theater. --- Nineteenth-Century Literature. --- Eighteenth-Century Literature. --- Theatre and Performance Arts. --- 19th century. --- 18th century.
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David Bowie and Romanticism evaluates Bowie’s music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie’s music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie’s oeuvre and periods of his career. The chapters discuss key themes in Bowie’s work and analyze what Bowie has to teach us about Romantic art and literature as well.
Romanticism. --- Bowie, David. --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Bowie, David --- Jones, David Robert --- Jones, Davy, --- Stardust, Ziggy --- Ziggy Stardust --- Literature, Modern --- Music. --- Performing arts. --- Theater. --- Nineteenth-Century Literature. --- Eighteenth-Century Literature. --- Theatre and Performance Arts. --- 19th century. --- 18th century. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Show business --- Arts --- Performance art --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Literature
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