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Headdresses and coverings are among the most powerful vehicles of cultural identity, referring variously to nationality, gender, ethnicity, religion, profession and sub-culture. As part of a cultural identity, they can be used to distinguish or divide people, but may also serve as a constructive instrument that allows us to recognise mutual differences as a common value.0Cultural identity is continuously evolving. Photos and texts provide a vehicle to question prevailing dynamics of identity and identification, visual stereotypes and cultural representation. Daniela Dossi's long-term residency at the open and collective studio Manoeuvre, a multidisciplinary artist-run space in Ghent's Rabot neighbourhood, resulted in an open design method, a textile research project based on a visual and textual archive of headdresses from around the world, and a preliminary collection of hybrid headdresses. The super-diversity of the studio provided the ideal context for this research. Together with Dossi, participants from diverse backgrounds and origins made 800 textile samples by hand using different techniques. Based on this open system, new hybrid headdresses and narratives can be designed by remixing images, texts and textiles: what might the headdress of the first Mexican, female President of the United States look like, for example? 'Hybrid Heads' is a project by Daniela Dossi and Manoeuvre. It is also an exhibition, an interactive installation, a web platform and a design-educational programme.
Headdresses --- Fashion --- Clothing and dress --- Art, Modern --- Art, Modern. --- Headdresses. --- Social aspects --- Political aspects --- Social aspects. --- Political aspects. --- 2000-2099 --- Design --- Textile --- Panorama mondial --- Sociologie de la culture --- Vêtement --- Sociology of culture --- Manufacturing technologies --- Applied arts. Arts and crafts --- costume [mode of fashion] --- headgear --- headcloths [headgear] --- Ethnology. Cultural anthropology --- headdresses --- news photographs --- social anthropology --- motifs --- textieldesign --- Dossi, Daniela
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As part of the Vormfrakken project Kristof Van Gestel and MANOEUVRE Kunstenplek have developed together since 2014, a great many co-artists have created Vormfrakken in a variety of settings. They started out from Van Gestel’s form-generating method, the Idiosyncratic Machine. They then turned this method to their own purposes by themselves helping to determine the choices, the design and the techniques for their own interpretation and scale. In this way, about forty relational objects in textile on a 1:1 scale with the human body were created in the course of two years. These Vormfrakken were made in various settings. These Vormfrakken are not an end in themselves; they can be explored and extended by others. For this purpose, presentations are being organized in the course of 2017 at Performatik (Kaaitheater, Brussels), the Design Museum in Ghent (as part of the Plain-Purl exhibition) and elsewhere. This book presents an extended report on the course of the creative process, supplemented by splendid portraits that Sanne Delcroix took of all the Vormfrakken and their makers.
Van Gestel, Kristof --- Applied arts. Arts and crafts --- performance art --- textile art [visual works] --- textielkunst --- Gestel, Van, Kristof
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