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Deutsch. --- Kollokation. --- Komposition (Wortbildung) --- Korpus (Linguistik) --- Lexikographie. --- German language --- Compound words. --- Lexicography. --- Syntax. --- Morphology. --- Komposition (Wortbildung). --- Korpus (Linguistik).

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Im Verlauf des Zweiten Weltkrieges werden mehrere Milliarden Feindflugblätter über den Fronten und dem Hinterland verschossen, mit Bomben abgeworfen, von Hand zu Hand weitergegeben. Dieser Band gibt Einblick in die grauenhafte und faszinierende Welt dieser Kriegszeugnisse - vollfarbig und aufwendig gestaltet. Die Gestaltung von Feindflugblättern in Text und Bild sowie ihre psychologische Tücke sind überwältigend. Nicht zuletzt haben sie deutliche Spuren in der Bildsprache und Typographie des 20. Jahrhunderts hinterlassen.

Feindflugblätter sind eine Sonderform des Flugblattes. Sie wenden sich direkt an den Kontrahenten im Krieg, an die Soldaten wie an die Zivilbevölkerung. Ihre Aufgabe ist es, zu demotivieren, zur Kapitulation und Desertion zu bewegen. Ihr Besitz war unter Androhung des Todesstrafe verboten.

Graphic arts --- graphic design --- pamphlets --- Tweede Wereldoorlog

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‘Rewriting’ is one of the most crucial but at the same time one of the most elusive concepts of literary scholarship. In order to contribute to a further reassessment of such a notion, this volume investigates a wide range of medieval and early modern literary transformations, especially focusing on texts (and contexts) of Italian and French Renaissance literature. The first section of the book, "Rewriting", gathers essays which examine medieval and early modern rewritings while also pointing out the theoretical implications raised by such texts. The second part, "Rewritings in Early Modern Literature", collects contributions which account for different practices of rewriting in the Italian and French Renaissance, for instance by analysing dynamics of repetition and duplication, verbatim reproduction and free reworking, textual production and authorial self-fashioning, alterity and identity, replication and multiplication. The volume strives at shedding light on the complexity of the relationship between early modern and ancient literature, perfectly summed up in the motto written by Pietro Aretino in a letter to his friend the painter Giulio Romano in 1542: "Essere modernamente antichi e anticamente moderni".

European literature --- History and criticism --- English literature --- LITERARY CRITICISM --- Early modern. --- European --- English, Irish, Scottish, Welsh. --- 1500-1700. --- Classical literature --- Influence. --- Classical influences --- E-books --- History and criticism. --- Cinquecento. --- Humanism. --- Pietro Aretino. --- Rewriting.