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Musica Deo sacra
Authors: ---
ISBN: 0852496036 0852497873 0852498128 Year: 1965 Volume: ; 5, 9, 14, 27, 37, 39 Publisher: London : Published for the British Academy,

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Anthems --- Choruses, Sacred


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Letters (1-81)
Authors: ---
ISBN: 0813211514 9780813211510 0813200512 9780813200514 9780813200514 Year: 1964 Publisher: Washington, D.C. Catholic University of America Press

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The letters, of which eighty-one have come down to us, written from c.249 until his death in 258 A.D., may be found translated in this volume.


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Musica deo sacra
Authors: ---
Year: 1963 Publisher: London : Stainer and Bell,

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Susanna : oratorio in three acts
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Year: 1967 Publisher: Kassel Bärenreiter

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Susanna : oratorio in three acts
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Year: 1967 Publisher: Kassel Bärenreiter

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Sonata No. 1 in C major ( Opus 70 No. 1 )
Authors: --- ---
Year: 1989

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Hobo --- Frankrijk --- 18e eeuw --- Sonates


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Sonata No. 2 in F major ( Opus 70 No. 2 )
Authors: --- ---
Year: 1989

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Hobo --- Frankrijk --- 18e eeuw --- Sonates


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Letters (1-81)
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Year: 1964 Publisher: Washington Catholic university of America

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Susanna : Oratorium in drei Akten
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Year: 1967 Publisher: Kassel Basel Paris London New York Bärenreiter

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Thomas Tomkins: the last Elizabethan
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ISBN: 0754651185 9780754651185 9781315084794 9781351539159 9781138248595 Year: 2005 Publisher: Aldershot Ashgate

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"Thomas Tomkins (1572-1656), a major figure of the Golden Age of British music, was arguably the greatest of all Welsh-born composers. Living through one of the most revolutionary periods in British history, his professional life was spent in the service of the Crown and the Church at both the Chapel Royal and Worcester Cathedral. Surviving the Civil War, the suppression of the music of the English Church, the closure of the Chapel Royal, the destruction of his organ at Worcester and the devastation of the city, Tomkins was able to find the strength and inspiration to continue composing secular music of fine quality." "Much of Tomkins's output has survived, including his collection of music for the Anglican rite, Musica Deo sacra, published posthumously in 1668. His work embraced both sacred and secular vocal music, pieces for keyboard and for viol consort, thereby proving him to be one of the most versatile figures of English Renaissance music." "Tomkins has still not reached the 'household name' status of his great teacher, William Byrd, or of his close friend and colleague, Orlando Gibbons, but he is undoubtedly worthy of much greater recognition. The book complements the increasing number of live performances and recordings of Tomkins's music, both sacred and secular, and such a comprehensive account of the man and his work should appeal to early music scholars, performers and music lovers alike."--Jacket.

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