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Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- United States --- History --- In motion pictures. --- #SBIB:043.AANKOOP --- #SBIB:309H1320 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Miscellanea
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Historical films --- Motion pictures and history. --- Motion picture plays --- Films historiques --- Cinéma et histoire --- Scénarios de cinéma --- History and criticism. --- Histoire et critique --- 791.43 --- -Motion picture plays --- -Motion pictures and history --- #SBIB:309H525 --- History and motion pictures --- Moving-pictures and history --- History --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Motion pictures --- Filmkunst. Films. Cinema --- History and criticism --- Sociologie van de audiovisuele boodschap --- 791.43 Filmkunst. Films. Cinema --- Cinéma et histoire --- Scénarios de cinéma --- Motion picture plays, American --- Motion pictures and history
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History of civilization --- Mass communications --- United States --- Television and history --- Historical television programs --- Television broadcasting of news --- Télévision et histoire --- Emissions historiques télévisées --- Téléjournaux --- History and criticism --- Histoire et critique --- #SBIB:309H1520 --- #SBIB:309H521 --- #SBIB:014.AANKOOP --- History television programs --- Television historical programs --- Television programs --- Television broadcasting --- Television coverage of news --- Television journalism --- Television news --- Broadcast journalism --- History and television --- History --- Radio en/of televisieprogramma’s: algemene werken (functies, genres, taalgebruik, historiek) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- News --- Television and history. --- Television broadcasting of news. --- History and criticism. --- Télévision et histoire --- Emissions historiques télévisées --- Téléjournaux --- United States of America
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History of North America --- Film --- United States --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- Presidenten in de film --- Presidents in motion pictures --- Présidents au cinéma --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- #SBIB:309H1320 --- #SBIB:033.AANKOOP --- Historical films --- -Presidents --- -Presidency --- Heads of state --- Executive power --- Motion pictures --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History and criticism --- History --- In motion pictures. --- Presidents --- History and criticism. --- History. --- -De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- United States of America
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West Wing (Television program) --- Internal politics --- Film --- televisieprogramma's --- Washington, D.C. --- United States --- United States of America
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From Ken Burns's documentaries to historical dramas such as Roots, from A&E's Biography series to CNN, television has become the primary source for historical information for tens of millions of Americans today. Why has television become such a respected authority? What falsehoods enter our collective memory as truths? How is one to know what is real and what is imagined -- or ignored -- by producers, directors, or writers? Gary Edgerton and Peter Rollins have collected a group of essays that answer these and many other questions. The contributors examine the full spectrum of historical genres, but also institutions such as the History Channel and production histories of such series as The Jack Benny Show, which ran for fifteen years. The authors explore the tensions between popular history and professional history, and the tendency of some academics to declare the past "off limits" to nonscholars. Several of them point to the tendency for television histories to embed current concerns and priorities within the past, as in such popular shows as Quantum Leap and Dr. Quinn, Medicine Woman. The result is an insightful portrayal of the power television possesses to influence our culture.
Television broadcasting of news. --- Historical television programs --- Television and history. --- Television broadcasting --- Television coverage of news --- Television journalism --- Television news --- Broadcast journalism --- History television programs --- Television historical programs --- Television programs --- History and television --- History --- History and criticism. --- News
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Hollywood's West examines popular perceptions of the frontier as a defining feature of American identity and history. Seventeen essays by prominent film scholars illuminate the allure of life on the edge of civilization and analyze how this region has been represented on big and small screens. Differing characterizations of the frontier in modern popular culture reveal numerous truths about American consciousness and provide insights into many classic Western films and television programs, from RKO's 1931 classic Cimarron to Turner Network Television's recent made-for-TV movies. Covering to
Western television programs --- Western films --- Westerns --- Westerns (Television programs) --- Television programs --- History and criticism.
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Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres.
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