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Une étude sur la notion de malsain à travers un corpus composé de romans, de nouvelles, de films et écrits de R. Banks, D. Cronenberg, C. Taylor, etc. L'auteur s'intéresse tout particulièrement à l'articulation ambiguë entre les univers diégétiques et les qualités formelles de ces oeuvres. Son analyse lui permet de proposer un modèle de la réception d'une oeuvre malsaine.
Paraphilias in literature --- Immorality in literature --- Paraphilias in motion pictures --- Motion pictures --- American literature --- Perversion dans la littérature --- Immoralité dans la littérature --- Perversion au cinéma --- Cinéma --- Littérature américaine --- Plots, themes, etc. --- Themes, motives --- Intrigues, thèmes, etc --- Thèmes, motifs --- Banks, Russell, --- Carver, Raymond, --- Cronenberg, David, --- Ellis, Bret Easton --- Lynch, David,
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That's so meta!' The emergence of the prefix-turned-adjective 'meta' to describe media productions is, no doubt, symptomatic of an increasingly media-savvy audience; it has also drawn attention to the lack of scholarship on meta-phenomena in film and television studies.
Meta in Film and Television Series aims to make up for this. Meta is defined as an intense form of reflexivity, that is characterized by its aboutness; meta-phenomena are not just an arsenal of devices but suppose an interpretive act and an active audience. Meta creates a framework with which to interrogate a work's relationship to its production, reception, medium, forms, and the world, and to explore its potentials and limitations. Meta supports the intuition latent in the popular usage that meta-phenomena are deeply entangled, while demonstrating that analysis stills requires such concepts to make sense of them.
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Film --- anno 1970-1979 --- anno 2000-2009 --- United States of America
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“That’s so meta!” The emergence of the prefix-turned-adjective “meta” to describe media productions is, no doubt, symptomatic of an increasingly media-savvy audience ; it has also drawn attention to the lack of scholarship on meta-phenomena in film and television studies. Meta in Film and Television Series aims to make up for this. Meta is defined as an intense form of reflexivity, that is characterized by its aboutness ; meta-phenomena are not just an arsenal of devices but suppose an interpretive act and an active audience. Meta creates a framework with which to interrogate a work’s relationship to its production, reception, medium, forms, and the world, and to explore its potentials and limitations. Meta supports the intuition latent in the popular usage that meta-phenomena are deeply entangled, while demonstrating that analysis stills requires such concepts to make sense of them
Motion pictures. --- Television programs --- Film criticism --- History and criticism.
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An expansive treatment of the meanings and qualities of original and remade American horror movies
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Recueil de travaux, issus d'une conférence ayant eu lieu en 2010 , présentant les dernières recherches, tendances et nouvelles perspectives concernant la question des réactions du "public" aux films et à la littérature.
Motion pictures and literature --- Esthétique de la réception --- Cinéma et littérature --- Adaptations cinématographiques --- Reader-response criticism. --- Film adaptations. --- Esthétique de la réception --- Cinéma et littérature --- Adaptations cinématographiques --- Film --- Motion pictures --- Motion pictures and literature. --- Aesthetics. --- Reader-response criticism --- Film adaptations --- History and criticism --- Histoire et critique --- Congrès
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