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eebo-0158

Hamilton, James Hamilton, --- Holland, Henry Rich, --- Goring, George Goring, --- Capel of Hadham, Arthur Capel, --- Owen, John, --- Great Britain --- History

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This book is the first anthology of research devoted to the booming world of Chinese film festivals, covering both mainstream and independent films. It also explores festivals in the Chinese-speaking world and festivals of Chinese films in the rest of the world. The book asks how Chinese film festivals function as sites of translation, translating Chinese culture to the world and world culture to Chinese-speaking audiences, and also how the international film festival model is being transformed as it is translated into the Chinese-speaking world.

Culture --- Ethnology --- Motion pictures --- China --- Cultural and Media Studies. --- Asian Cinema. --- Film History. --- Asian Culture. --- History of China. --- Directing. --- Study and teaching. --- Asia. --- History. --- Production and direction. --- Film festivals. --- Film and video festivals --- Motion picture festivals --- Moving-picture festivals --- Video and film festivals --- Performing arts festivals --- Motion pictures-Asia. --- Motion pictures-History. --- Ethnology-Asia. --- China-History. --- Motion pictures-Production and d. --- Asian Cinema and TV. --- Motion pictures—Asia. --- Motion pictures—History. --- Ethnology—Asia. --- China—History. --- Motion pictures—Production and direction.

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This book is the first anthology of research devoted to the booming world of Chinese film festivals, covering both mainstream and independent films. It also explores festivals in the Chinese-speaking world and festivals of Chinese films in the rest of the world. The book asks how Chinese film festivals function as sites of translation, translating Chinese culture to the world and world culture to Chinese-speaking audiences, and also how the international film festival model is being transformed as it is translated into the Chinese-speaking world.

Film festivals --- Festivals de cinéma

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"A philosophical analysis of sonically charged concepts to map a theory of "sound affects.""-- Sound Affects : A User's Guide is a collection of sonically-charged concepts ranging from those felt, 'heard' and repeated (silence, the oriental riff, shuffle), to the vocal (whispers, sing, the disembodied voice), to sounds at the threshold (tin/ny, thump, buzz) to sounds beyond the limits of audibility (inaudible tremors, distortion, sub-bass). Sound Affects invites the reader to reflect on the ways that sounds produce affects and the ways that affects can operate as sound.Each of the entries develops a particular perspective on sound and affect through a close analysis of audiovisual and/or sonic objects. The objects chosen not only illustrate the concept in question but also demonstrate how the object encourages us to rethink the relationships between sounds and affects. Influenced by the sound theory of Eugenie Brinkema (2011), the concepts of Sound Affects plot the shift in volume from silence that opens up a space to be heard to the audibly near, from the audibly near to sounds beyond the limits of audibility. Sound Affects is an intellectual adventure for those who theorize and listen. The book can also be enjoyed as a narrative of sounds, its absences and its shifting intensities.

Sound (Philosophy) --- Sound in motion pictures.

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Art