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The bulk of these Sketches were written without any thought of publication. It was my practice in writing home to touch upon different features of the campaign or of my daily experiences, and only when I returned to England to find that kind hands had carefully preserved these hurried letters, did it occur to me that, grouped together, they might serve to throw some light on certain aspects of the East Africa campaign, which might not find a place in a more elaborate history.

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Pléiade (Group of poets) --- Pléiade --- Plato --- Influence.

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"Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on and off screen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators took and still take away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen"--

Motion pictures --- Human body in motion pictures. --- History

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Cet ouvrage dresse un état international des recherches menées sur ce "genre" cinématographique jusqu'ici peu étudié, hybride mais prolifique, au croisement de l'histoire de l'art et du cinéma documentaire qu'est le film sur l'art.

Art in motion pictures --- Art au cinéma --- Art --- Cinéma --- Films d'art --- Art au cinéma --- Cinéma. --- Films d'art. --- Art et cinéma --- Artistes --- Création (esthétique) --- Création (Arts) au cinéma --- Histoire de l'art --- Actes de congrès. --- Au cinéma --- Congrès. --- Art et cinéma - Actes de congrès. --- Artistes - Au cinéma - Actes de congrès. --- Création (esthétique) - Au cinéma - Actes de congrès. --- Films d'art - Actes de congrès. --- Art au cinéma - Congrès. --- Création (Arts) au cinéma - Congrès. --- Cinéma et arts.

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"Born in Nantes, France, James Tissot trained in Paris at the École des Beaux-Arts. His mature career spanned both sides of the English Channel, where he garnered commercial and critical success. Despite recognition from patrons and peers, his reputation suffered posthumously. The critic John Ruskin's perception that Tissot created "unhappy mere color photographs of vulgar society" persists, and the artist is still too often classified as a painter of pretty women and fancy society portraits. However, scholarship demonstrates that even Tissot's most frothy society paintings reveal rich and complex commentary on Victorian culture. Tissot consistently defied convention in both his professional and personal life. This catalogue explores his multifaceted career with a fresh perspective and original scholarship to question where and how he should be situated in narratives of the nineteenth-century canon. Although he featured prominently in the recent Impressionism, Fashion, and Modernity exhibition of 2012-2013 (Musée d'Orsay, Paris; Metropolitan Museum of Art, New York; Art Institute of Chicago), Tissot did not formally belong to the Impressionist circle and never exhibited in the group's shows, despite invitations from Edgar Degas. Tissot's long association with Degas is a major thread in the catalogue: he frequently acted as Degas's mentor in the 1860s and early 1870s, and they shared an extended series of correspondence. The portrait James-Jacques-Joseph Tissot (1836-1902), painted around 1867-1868 (Metropolitan Museum of Art) by Degas, remains an iconic image of the urbane artist as a refined gentleman"--

Tissot, James --- Japonisme --- kunsthandel --- mode --- Degas, Edgar --- Leys, Henri --- Painting --- easel paintings [paintings by form] --- portraits --- France --- stijlen in beeldende kunst (Japonisme) --- kunsthandel. --- mode. --- Japonisme. --- Tissot, James. --- Leys, Henri. --- Degas, Edgar. --- Genre painting, French --- Genre painting, French. --- Male artists --- Painting, French --- Peinture de genre française --- Peinture de portraits française --- Peinture français --- Portrait painting, French --- Portrait painting, French. --- Tissot, James, --- Tissot, James,. --- Criticism and interpretation. --- Themes, motives. --- 1800-1899. --- tentoonstelling Spa (1911). --- Salon van Spa (1911). --- Salons (Spa). --- tentoonstellingen (Spa). --- Musée Communal de Spa. --- 19de eeuw. --- 20ste eeuw.