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Spanish drama --- Théâtre espagnol

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In this volume the fundamental theory of open quantum systems is revised in the light of modern developments in the field. A unified approach to the quantum evolution of open systems is presented by merging concepts and methods traditionally employed by different communities, such as quantum optics, condensed matter, chemical physics and mathematical physics. The mathematical structure and the general properties of the dynamical maps underlying open system dynamics are explained in detail. The microscopic derivation of dynamical equations, including both Markovian and non-Markovian evolutions, is also discussed. Because of the step-by-step explanations, this work is a useful reference to novices in this field. However, experienced researches can also benefit from the presentation of recent results.

Open systems (Physics). --- Physics. --- Quantum theory. --- Physics --- Physical Sciences & Mathematics --- Atomic Physics --- Open systems (Physics) --- Quantum dynamics --- Quantum mechanics --- Quantum physics --- Systems, Open (Physics) --- Quantum physics. --- Quantum optics. --- Quantum Physics. --- Numerical and Computational Physics. --- Mathematical Methods in Physics. --- Quantum Optics. --- Mechanics --- Thermodynamics --- Irreversible processes --- Statistical mechanics --- Statistical physics --- Mathematical physics. --- Numerical and Computational Physics, Simulation. --- Physical mathematics --- Mathematics --- Optics --- Photons --- Quantum theory --- Natural philosophy --- Philosophy, Natural --- Physical sciences --- Dynamics

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Mathematical physics --- Quantum mechanics. Quantumfield theory --- Optics. Quantum optics --- Computer science --- quantumfysica --- quantumchemie --- theoretische fysica --- wiskunde

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Don Alvaro, or the Force of Fate by Angel de Saavedra, Duke of Rivas (1791-1865), premiered in 1835 in Madrid and changed the Spanish stage forever after. It was the benchmark Romantic play of early nineteenth-century Spain. In this English edition designed for either classroom use or performance, Robert Fedorchek presents a readable translation faithful to the tone and spirit of the original. Joyce Tolliver enhances the book with a rich introduction highlighting the work's lasting significance. The play tells of the torrid love of the mysterious Don Alvaro and the lovely Dona Leonor, and how fate intervenes - by way of Alvaro's role in the ""accidental"" death of Leonor's father - to bring about the extermination of Leonor's family at the hands of the man who loves her to distraction. Although chronologically not the first Spanish Romantic drama, Don Alvaro is generally considered the true exponent of the freedom of expression that Romanticism brought to the theater. It does away with all the Neoclassical rules: it exceeds twenty-four hours; the action takes place in two countries; it mixes high and low; prose alternates with verse; and the characters express, melodramatically and passionately, their innermost feelings. It is also generally considered the first play in the best trilogy, along with Antonio Garcia Gutierrez's El trovador (The troubadour, 1836) and Juan Eugenio Hartzenbusch's Los amantes de Teruel (The lovers of Teruel, 1837).

Spanish drama --- Spanish literature --- Translations into English. --- Drama (Dramatic Works By One Author) --- Drama