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The older paradigm for photojournalists was to simply record events, with the hopeand frequently the expectationthat people and their governments would be moved to respond to the injustices pictured, as witnessed by the impact of certain images during the Civil Rights movement and the Vietnam War. Given evolving media and political climates, however, including the billions of images now available online from all kinds of sources, the purpose and effectiveness of media, in particular of visual journalism, has been called into question. Bending the Frame, by author and critic Fred Ritchin, addresses the new and emerging potentials for visual media to impact society. Also encompassing online efforts, uses of video, and a diverse range of books and exhibitions, this volume aims for as wide-ranging and far-reaching a discussion as possible, asking the critical question: how can images promote new thinking and make a difference in the world? 

Bending the Frame: Photojournalism, Documentary, and the Citizen is supported by a grant from the Open Society Foundations.


journalistic photography --- fotojournalistiek --- Photography --- 77.044 --- 77.01 --- fotografie --- fotografietheorie --- eenentwintigste eeuw --- media --- internet --- sociale media --- digitale cultuur --- Nieuwsfotografie. Reportage --- Fotografie--Semiotiek van de fotografie. Theorie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- 77.044 Nieuwsfotografie. Reportage --- Photojournalism --- Social aspects --- Journalism --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Illustrated periodicals --- Photography - Social aspects --- massacommunicatie --- photojournalism [discipline] --- pictorial journalism [discipline]

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"After photography" examines the myriad ways in which the digital revolution has fundamentally altered the way we receive visual information, from photographs of news events taken by ordinary people on mobile phones to the widespread use of image surveillance. In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to explore the possibilities created by digital innovations and to use them to understand our rapidly changing world. Ritchin investigates the future of visual media as the digital revolution transforms images into a hypertextual medium, fundamentally changing the way we conceptualise the world. Simultaneously, the increased manipulation of photographs makes photography suspect as reliable documentation. In the tradition of John Berger and Susan Sontag, Ritchin analyses photography's failings and reveals untapped potentials for the medium

Photography --- Digital electronics --- Digital techniques --- Social aspects. --- Social aspects --- Digital techniques. --- fotografie --- digitale fotografie --- nieuwe media --- digitale cultuur --- media --- eenentwintigste eeuw --- fotografiegeschiedenis --- beeldmanipulatie --- propaganda --- internet --- virtual reality --- virtuele realiteit --- cybercultuur --- reportagefotografie --- fotojournalistiek --- persfotografie --- amateurfotografie --- 77.01 --- 681.3*J5 --- 778 --- Fotografie--Semiotiek van de fotografie. Theorie --- Arts and humanities (Computer applications) --- Fotografie--Bijzondere toepassingen --- 778 Fotografie--Bijzondere toepassingen --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- digital media --- digital photography [digital camera] --- beeldcultuur --- Mass communications --- Digital photography --- Digital circuits --- Digital techniques (Electronics) --- Electronic systems --- Electronics --- Photography - Digital techniques --- Photography - Social aspects. --- Digital electronics - Social aspects

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Image processing --- Photojournalism

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Mexico --- Pictorial works. --- Photography

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Fotografie --- Geschiedenis --- Foto