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Sophie Ristelhueber is concerned, first and foremost, with the ambivalence of things, the porous borderline between reality and fiction, the dialectical relationship between words and image, and the variable hierarchy of figures of speech, be it iconographic or linguistic speech : the said and the unsaid, more for less, part for whole. Trained in the nominalist enumeration of the Nouveau Roman (once the subject of her essay) Sophie Risterhueber explores the crannies and confines of the iconic field - of what makes imagery - with her invariably sober and discreet approach.

Photographers --- Photography, Artistic --- Photographes --- Photographie artistique --- Ristelhueber, Sophie, --- Ristelhueber, Sophie --- Photography, Artistic. --- CDL --- 77.071 RISTELHUEBER --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics

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Pendant dix jours, dans l'hôpital psychiatrique de San Clemente, situé dans une île au large de Venise, Raymond Depardon et Sophie Ristelhueber ont suivi pas à pas les errances de malades mentaux jugés, pour la plupart, irrécupérables. Admirable regard sur la folie au quotidien : sans un mot de commentaire, ce document cerne mieux que dix thèses savantes l'horreur ordinaire de l'asile de fous. San Clemente nous met sous les yeux l'immense détresse des "soignés" et le profond désarroi de leur entourage.

Psychanalyse --- Bâtiment hospitalier psychiatrique --- Qualité de la vie --- Espace vécu --- Photographie --- Bâtiment d'aide sociale --- Venise

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motion pictures [visual works] --- Photography --- Ristelhueber, Sophie --- anno 1900-1999 --- Switzerland --- Exhibitions