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In this Master's thesis, the author examines his graduation project. He first examines the history of the bench in architecture and in the museum. This investigation leads him to the concept of staging. By defining the term "staging" and using two examples from contemporary art (Erwin Wurm and Tino Sehgal). Subsequently, it is analysed how the individual event character of an artwork is constituted. The aim is to give a brief insight into the development of the graduation project and the classical relationship between art viewer and art object to the modern approach of staging. This then leads to a subjective interpretation of the project.