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Since first coming to prominence 10 years ago, Ryan McGinley has ushered in a wholly new language of photography: images that are uniquely grounded in our contemporary moment while simultaneously evoking an idyllic timelessness. In this new volume, Ryan McGinley: Way Far, the artist presents a collection of his most recent work. McGinley was the first of his generation of artists to explore the nude figure within the American landscape. With a fresh set of eyes, he embarked on an on-going series of images that were shot during months-long summer road trips cross-country. Transfixed by the open vistas and the picturesque wilderness he found along the way, McGinley and his modelsnot unlike explorers from another centuryset out to rediscover these unpopulated spaces. Whether hiking on peat covered mountains, swimming in crystalline lakes, or rolling around in vast fields of tall grass, the artist's images of bodies in pastoral scenes have been his signature, and his triumph has been his ability to evoke the almost dream-like state that comes with that kind of freedom. As one of the most critically acclaimed photographers working today and rightfully considered the voice of a generation, no other contemporary artists work has permeated pop culture this indelibly.
Photography of the nude --- Photography, Artistic --- Photography of youth --- naaktfotografie --- 761.2 --- Youth --- Nude photography --- Nude in art --- fotografen, afzonderlijk --- McGinley, Ryan, --- photography [process] --- fotografie --- McGinley, Ryan
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Artschwager, Richard ; Buren, Daniel ; Diamond, Jessica ; Riverhead (New York) ; Fleury, Sylvie ; Förg, Gunther ; Gilbert & George ; Grünfeld, Thomas ; Halley, Peter ; Hirst, Damien ; Judd, Donald ; Knoebel, Imi ; Kosuth, Joseph ; Kounellis, Jannis ; Levine, Sherrie ; LeWitt, Sol ; Merz, Gerhard ; Mullican, Matt ; Oursler, Tony ; Paik, Nam June ; Paolini, Giulio ; Pistoletto, Michelangelo ; Schnabel, Julian ; Sherman, Cindy ; Steinbach, Haim ; Stingel, Rudolf ; Trockel, Rosemarie ; Walker, Kara ; Warhol, Andy
Film --- Painting --- commissions [orders for works] --- video art --- Art --- mural paintings [visual works] --- light art --- Architecture --- painting [image-making] --- architecture [discipline] --- Paolini, Giulio --- Artschwager, Richard --- Kosuth, Joseph --- Kounellis, Jannis --- Halley, Peter --- Warhol, Andy --- Steinbach, Haim --- Levine, Sherrie --- Knoebel, Imi --- Sherman, Cindy --- Buren, Daniel --- Flavin, Dan --- Walker, Kara --- Förg, Günther --- Trockel, Rosemarie --- Oursler, Tony --- Merz, Gerhard --- Fleury, Sylvie --- Paik, Nam June --- Pistoletto, Michelangelo --- Stingel, Rudolf --- Grünfeld, Thomas --- Schnabel, Julian --- Diamond, Jessica --- Judd, Donald --- Mullican, Matt --- LeWitt, Sol --- Hirst, Damien --- anno 1900-1999 --- kunst --- 75.036 --- 7.038 --- Warhol Andy --- Walker Kara --- Trockel Rosemarie --- Stingel Rudolf --- Steinbach Haim --- Sherman Cindy --- Schnabel Julian --- Pistoletto Michelangelo --- Paolini Giulio --- Paik Nam June --- Oursler Tony --- Mullican Matt --- Merz Gerhard --- LeWitt Sol --- Levine Sherrie --- Kounellis Jannis --- Kosuth Joseph --- Knoebel Imi --- Judd Donald --- Hirst Damien --- Halley Peter --- Grünfeld Thomas --- Gilbert & George --- Förg Günther --- Fleury Sylvie --- Flavin Dan --- Diamond Jessica --- Buren Daniel --- Edition Schellmann --- Artschwager Richard --- kunst en architectuur --- wandschilderingen --- muurschilderingen --- site-specific art --- architectuur --- concept art --- twintigste eeuw --- schilderkunst --- conceptuele kunst --- Exhibitions
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Painter, writer, teacher, and publisher: Peter Halley has been a widely influential figure in the international art world since his bold canvases were first shown in the early 1980s. Emerging from the East Village Neo-Geo scene, Halley soon became known for his aggressively colored Day-Glo paintings of square "cells" and rectilinear "conduits," titled with references ranging from the erudite to the pop. While his paintings may initially recall the abstractions of Newman, Mondrian, and Albers, Halley's work breaks with the modernist agenda by insisting on a figurative referent, and, as curator and critic Dan Cameron has noted, Halley "effectively restate[s] the terms of abstraction in our time." For Halley, geometry is a profoundly social fact and his paintings are diagrams of the experience of space and time in contemporary society, depictions of loneliness and of connection.
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Genieve Figgis’ paintings share a similar dramatic bent as some Irish-English literature subjects from Edgar Allan Poe to Oscar Wilde, as well as acknowledged Old Masters such as Goya. Working in oil and acrylic and at small- to mid-scale, Genieve Figgis produces paintings rich in color, texture, humor, and the macabre. Almine Rech Editions is thrilled to present the new monograph by Genieve Figgis. By working in oil and acrylic, the artist produces paintings rich in color, texture, humor, and the macabre. Figgis’s body of work includes her take on the tradition of portraiture and the odalisque. Her figures appear either faceless or as foolishly grinning, ghoul-like creatures, whose loosely rendered forms seem vulnerable and insubstantial as they merge with their lushly painted, semi-abstract surroundings. The book features a comprehensive conversation with the author Mara Hoberman and covers her solo exhibitions at Almine Rech since 2015, as well as international museums such as Gallery Met at the Metropolitan Opera in New York, the Consortium Museum in Dijon, IMMA in Dublin, and MWOODS in Beijing.
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The exhibition I Moderni = The Moderns presents sculpture, installation, paintings, text, sound, video and film created by artists working round the world today.This is one of the first international exhibitions to highlight the ways in which these new artists are distancing themselves from much postmodernist practice that characterized the end of the last century. This book documents the exhibition and also provides a new and unique anthology of modernist texts chosen by the artists of our time. Akakce, Haluk ; Albenda, Ricci ; Bartolini, Massimo ; Benassi, Elisabetta ; Dean, Tacita ; Friedman, Tom ; Gillick, Liam ; Herrera, Arturo ; Holloway, Evan ; Jungen, Brian ; Lambie, Jim ; Martin, Daria ; Mehretu, Julie ; Nguyen-Hatsushiba, Jun ; Pardo, Jorge ; Pfeiffer, Paul ; Philipsz, Susan ; Pilson, John ; Starling, Simon ; Sze, Sarah ; Uklanski, Piotr ; Webb, Gary
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Desire - wunsch is the first volume of the catalogue for the exhibition Mixing Memory and Desire - Wunsch und Erinnerung, the opening exhibition of the new Museum of Art Lucerne. It brings together textual and visual documentation on the participating artists along with excerpts from foundational theoretical texts of the twentieth century. A selection of materials is thus made available which the exhibition's curators, Ulrich Loock, Daniel Kurjakovic, Cornelia Dietschi and Yvane Chapuis, used for their preparations. In her essay The Great Silk Road, the Russian author Ivetta Gerasimchuk unfolds the history and economy of silk-spinning as an allegory for the process of artistic production on the basis of doubt. Alÿs, Francis ; Beecroft, Vanessa ; Cardiff, Janet ; Castres, Edouard ; Coste, Annelise ; Dean, Tacita ; Diogg, Felix Maria ; Döbeli, Markus ; Dumas, Marlene ; Gérald ; Gordon, Douglas ; Havekost, Eberhard ; Huws, Bethan ; De Keyser, Raoul ; Khattari, Majida ; Krijnen, Cees ; Lehanka, Marko ; Leroy, Xavier ; Marden, Brice ; Motti, Gianni ; Mucha, Reinhard ; Perigot, Alexandre ; Pistoletto, Michelangelo ; Ray, Charles ; Reinhart, Joseph ; Schiess, Adrian ; Schneider, Gregor ; Segal, Miri ; Smith/Stewart ; Triozzi, Claudia ; Walker, Aldo ; Wall, Jeff ; Welling, James ; West, Franz ; Wool, Christopher ; Wyrsch, Johann Melchior ; Zünd, Robert
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