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Raphael's Poetics makes the connection between the world famous and the unknown; it reconstructs the visual grammar that underlies the famous works of Raphael and which derives from the classical and contemporary Latin poetry that was so omnipresent in his surroundings but is now largely forgotten. By focusing on principles that from the basis of poetry Rijser explains the context in which Raphael's works were functioning, and arrives at an interpretation that they may have had for their intended audience. Highly innovative, thanks to the emphasis on a literary standpoint while looking at visual objects, Rijsers research results in a truly interdisciplinary methodology.
Poetry --- Iconography --- Raphael --- Art, Renaissance --- Ekphrasis --- Ecphrasis --- Art in literature --- Description (Rhetoric) --- Renaissance art --- Themes, motives --- Raphael, --- Sanzio, Raffaele, --- Raffaello Sanzio, --- Santi, Raffaello, --- Sanzio, Raffaello, --- Raffael, --- Raffaello, --- Urbino, Raffaello da, --- Sanctius, Raphael, --- Urbinas, Raphael Sanctius, --- Rafaėlʹ, --- Raffaele Sanzio, --- Sanzi, Raffaello, --- Criticism and interpretation. --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Ekphrasis. --- Kunst. --- Literatur. --- Malerei. --- Renaissance. --- Themes, motives. --- Bibel --- Italien. --- Italy
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Art --- Classical literature --- fine arts [discipline] --- thinking
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"Onze cultuur ontwikkelt zich in een voortdurende confrontatie met de klassieke cultuur. Dat geldt voor literair werk, dat voortdurend teruggrijpt op werken van klassieke schrijvers en denkers als Homerus en Plato. Het geldt ook voor materiële cultuur, zoals het Parthenon en Pantheon. In 'Tiberius in de Nieuwe Wereld' onderzoekt cultuurhistoricus David Rijser diverse aspecten van de hedendaagse cultuur en hun verbintenis met het klassieke verleden. Welke dialoog voeren we met de Oudheid? Wat hebben de klassieken ons cultureel en politiek te vertellen, en wat zeggen wij terug? In het eerste deel bespreekt Rijser zeven classics en de reden waarom zij nog altijd populair zijn. Vervolgens bekijkt hij de manier waarop de Renaissance terug begon te kijken naar de Oudheid. Hij sluit af met hedendaagse cultuur, zoals de tv-serie 'The Sopranos', die ondanks de schijn van het tegendeel alles met de klassieken te maken blijkt te hebben."
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The primary focus of this title is the controversial ending of Vergil's Aeneid, one of the most influential poems in the Western tradition. 'The Humanness of Heroes' begins by examining Aemaeas' savage looting in the tenth part of this epic book, followed by tracing the sources andmanifestations of the emotions of the hero. The book ends with a detailed study of the end of the poem. In the epilogue, the author gives an overview of the relationship between the denouement of Virgil and aspects of Stowe's 'Uncle Tom's Cabin' and Twain's 'Huckleberry Finn'. The book reinforces the position of Virgil as one of the most original poets of our literary canon, with a profound influence on the literature of our world, from Dante to Derek Walcott and Seamus Heaney.
Aeneas (Legendary character) in literature --- Epic poetry, Latin --- Heroes in literature --- History and criticism --- Virgil. --- Virgil --- Vergil --- Virgile --- Virgilio Máron, Publio --- Virgilius Maro, Publius --- Vergili Maronis, Publius --- Influence. --- Vergilius Maro, Publius --- Virgilius Maro, Publius, --- Virgilio Marone, P., --- Vergilīĭ, --- Virgile, --- Vergílio, --- Wergiliusz, --- Vergilīĭ Maron, P. --- Vergilīĭ Maron, Publīĭ, --- Verhiliĭ Maron, P., --- Vergil, --- Virgilio, --- Virgilīĭ, --- Virgilius Maro, P., --- Virgil Maro, P., --- ווירגיל, --- וירגיליוס, --- ורגיליוס, --- מרו, פובליוס ורגיליוס, --- فرجيل, --- Pseudo-Virgil, --- Pseudo Virgilio, --- Virgilio Marón, Publio, --- Bhārjila, --- Vergilius Maro, P. --- Vergilius --- Virgilio Marone, P. --- Vergilīĭ --- Vergílio --- Wergiliusz --- Vergilīĭ Maron, Publīĭ --- Verhiliĭ Maron, P. --- Virgilio --- Virgilius Maro, P. --- Virgil Maro, P. --- Pseudo-Virgil --- Pseudo Virgilio --- Virgilio Marón, Publio --- Bhārjila --- Epic poetry, Latin. --- Heroes in literature. --- Influence (Literary, artistic, etc.). --- Literature. --- History and criticism. --- Aeneas, --- Vergilius Maro, Publius, --- In literature. --- Aeneis (Virgil). --- Marone, Publio Virgilio
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"Framing Classical Reception Studies contains a representative number of analytic and synthetic contributions by scholars from diverse parts of the field of Classical Reception Studies. Together, they afford a synoptic view and typology of an extremely large and continuously diversifying discipline. Attentive to questions such as what, by whom, in what contexts and to what ends Classics have functioned and are functioning in our culture, all contributors ask themselves from what conceptual or disciplinary frame they approach the reception of the cultures of classical Greek and Roman antiquity. Within this questioning format, the book also contains suggestions for future agendas of research, and forcefully argues for the political, cultural and cognitive relevance of classical receptions in the Academy"--
Civilization, Classical --- Classical literature --- Influence. --- History and criticism. --- Civilization, Modern --- Comparative literature --- Classical influences. --- Classical and modern. --- Modern and classical. --- Modern civilization --- Modernity --- Civilization --- Renaissance --- Classical civilization --- Civilization, Ancient --- Classicism --- History --- Antike. --- Classical literature. --- Rezeptionsästhetik. --- Vergleichende Literaturwissenschaft.
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