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"Pieter Bruegel the Elder. Art discourse in the sixteenth-century Netherlands" examines the later images by Bruegel in the context of two contemporary discourses - art theoretical and convivial. The first concerns the purely visual interactions between artists and artistic practices that unfolds in pictures, which often transgress the categorical boundaries modern scholars place on their work, such as sacred and profane, antique and modern, and Italian and Northern. In this context, the images themselves - those of Bruegel, his contemporaries and predecessors - make up the primary source material from which the author argues. The second deals with the dialogue that occurred between viewers in front of pictures and the way in which pictorial strategies facilitated their visual experience and challenged their analytical capabilities.
Bruegel, Pieter [Elder] --- Art and society --- Art et société --- History --- Histoire --- Bruegel, Pieter, --- Criticism and interpretation --- Criticism and interpretation. --- Art et société --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Bruegel, Pieter --- Bolugaier --- Breĭgelʹ, Piter --- Brʹogel, Piter --- Broigel, Peṭer --- Bruegel, Pierre --- Bruegel, --- Brueghel, Pieter --- Bryūgeru, Pītā --- Po-lu-kai-erh --- Breughel, Pieter --- Breugel, Pieter --- Bolugaier, --- Breĭgelʹ, Piter, --- Brʹogel, Piter, --- Broigel, Peṭer, --- Breughel de Oude, Pieter --- Bruegel, Pierre, --- Brueghel, Pieter, --- Bryūgeru, Pītā, --- Po-lu-kai-erh, --- ברויגל, פיטר --- Art and society - Netherlands - History - 16th century --- Bruegel, Pieter, - ca. 1525-1569 - Criticism and interpretation --- Bruegel, Pieter, - ca. 1525-1569
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Painting --- History --- political art --- Vlaamse school --- book review --- schilderkunst --- Belgium
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Bruegel, Pieter [Elder] --- Paul [Apostle] --- Kunsthistorisches Museum [Vienna]
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gesture --- hands [animal components] --- Hemessen, van, Jan
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Communication and culture. --- Communication and the arts. --- Experience. --- Expression (Philosophy). --- Régionalisme (art) --- Nationalisme et art --- Esthétique médiévale --- Esthétique de la Renaissance --- Expression (Philosophy) --- 72 <09> --- Architectuurgeschiedenis. Bouwgeschiedenis --- 72 <09> Architectuurgeschiedenis. Bouwgeschiedenis --- Communication and culture --- Communication and the arts --- Experience --- 7 <09> --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- Self-expression --- Philosophy --- Knowledge, Theory of --- Psychology --- Reality --- Pragmatism --- Arts and communication --- Arts --- Culture and communication --- Culture --- History of civilization --- Sociolinguistics --- anno 1500-1799 --- Europe --- Esthétique --- Communication et culture --- Nationalisme et art. --- Esthétique médiévale. --- Esthétique de la Renaissance. --- Communication et culture. --- Régionalisme (art) --- Esthétique médiévale. --- Esthétique de la Renaissance. --- Esthétique
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The religious upheavals of the early modern period and the fierce debate they unleashed about true devotion gave conversion an unprecedented urgency. With their rich variety of emotive, aesthetic and rhetoric means of expression, literature and the visual arts proved particularly well-adapted means to address, explore and represent the complex nature of conversion. At the same time, many artists and authors experimented with the notion that the expressive character of their work could cultivate a sensory experience for the viewer that enacted conversion. Indeed, focusing on conversion as one of early modern Europe’s most pressing religious issues, this volume demonstrates that conversion cannot be separated from the creative and spiritual ways in which it was given meaning. Contributors include Mathilde Bernard, John R. Decker, Xander van Eck, Shulamit Furstenberg-Levi, Lise Gosseye, Chloë Houston, Philip Major, Walter Melion, Bart Ramakers, E. Natalie Rothman, Alison Searle, Lieke Stelling, Jayme Yeo, and Federico Zuliani.
Graphic arts --- Thematology --- History of civilization --- Iconography --- anno 1500-1799 --- Conversion in art. --- Conversion in literature. --- Literature, European --- History and criticism. --- iconography --- conversions [activity] --- Conversion in art --- Conversion in literature --- History and criticism --- European literature
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In response to the dominance of Latin as the language of intellectual debate in early modern Europe, regional centers started to develop a new emphasis on vernacular languages and forms of cultural expression. This book shows that the local acts as a mark of distinction in the early modern cultural context. Interdisciplinary in scope, essays examine vernacular strands in the visual arts, architecture and literature from the fourteenth to seventeenth centuries. Contributions focus on change, rather than consistencies, by highlighting the transformative force of the vernacular over time and over different regions, as well as the way the concept of the vernacular itself shifts depending on the historical context. Contributors include James J. Bloom, Jessica E. Buskirk, C. Jean Campbell, Lex Hermans, Sun Jing, Trudy Ko, David A. Levine, Eelco Nagelsmit, Alexandra Onuf, Bart Ramakers, and Jamie L. Smith
Communication and the arts. --- Communication and culture. --- Expression (Philosophy) --- Experience. --- Knowledge, Theory of --- Philosophy --- Psychology --- Reality --- Pragmatism --- Self-expression --- Culture and communication --- Culture --- Arts and communication --- Arts
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Art --- Christian spirituality --- anno 1400-1499 --- anno 1500-1599 --- Europe --- Self --- Soul in art --- Soul --- Art, Renaissance --- Reformation and art --- Counter-Reformation --- Humanism --- Moi (Psychologie) --- Ame dans l'art --- Ame --- Art de la Renaissance --- Réforme (Christianisme) et art --- Contre-Réforme --- Humanisme --- Religious aspects --- Christianity --- Congresses. --- History --- Aspect religieux --- Christianisme --- Congrès --- Histoire --- Counter-Reformation in art --- 75.046.3 --- Religie in de schilderkunst. Heiligenbeelden --- Conferences - Meetings --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- Réforme (Christianisme) et art --- Contre-Réforme --- Congrès --- Pneuma --- Future life --- Philosophical anthropology --- Theological anthropology --- Animism --- Spirit --- Personal identity --- Consciousness --- Individuality --- Mind and body --- Personality --- Thought and thinking --- Will --- Art and the Reformation --- Art and religion --- Christian art and symbolism --- Philosophy --- Classical education --- Classical philology --- Renaissance --- Renaissance art --- Congresses --- Art [Renaissance ] --- Self - Religious aspects - Christianity - Congresses --- Counter-Reformation in art - Congresses --- Soul in art - Congresses --- Art, Renaissance - Congresses --- Soul - Christianity - Congresses --- Reformation and art - Congresses --- Humanism - History - Congresses --- Illustrations, images, etc --- Art chrétien --- 15e-17e siècles
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