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"This book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943-1978). Blending close reading, reception history, and critical biography, this study looks at linguistic and semiotic forms in Matta-Clark's sculptures, performances, films, photographs, and drawings, forms that activate what the artist called the 'poetics of psycho-locus' and 'total (semiotic) system.' Looking at notes, statements, titles, letters, and interviews, Frances Richard appraises the paradoxical durability of Matta-Clark's language, and its role in an aggressively physical oeuvre whose major works have been destroyed"--Provided by publisher.
Art and architecture --- Conceptual art --- Site-specific art --- Matta-Clark, Gordon, --- Criticism and interpretation.
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Iconography --- Art --- Sculpture --- art [discipline] --- public art --- cities --- public spaces --- sculpting --- kunst in de openbare ruimte --- anno 1900-1999 --- anno 2000-2099 --- United States of America
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Art and society. --- Art and society. --- Art museums. --- Site-specific art --- Site-specific art --- Site-specific art. --- New School University --- New School University. --- Art collections. --- 1900-2099. --- New York (State)
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Features essays by more than fifty renowned international writers who consider thirteen monumental works of art created for The New School between 1930 and the present. The nucleus of The New School's Art Collection, these commissions--ranking among the finest site-specific works in New York City--range from murals by Jose Clemente Orozco and Thomas Hart Benton to installations by Agnes Denes, Kara Walker, Alfredo Jaar, Glenn Ligon, Sol LeWitt, and Martin Puryear + Michael Van Valkenburgh, among others. Providing a kaleidoscopic view into these works, this richly illustrated volume explores each installation through three to four essays written by critics, poets, and scholars from diverse fields including anthropology, mathematics, art history, media studies, and design. Their texts are complemented by three additional essays reflecting on each piece's art historical significance; the architectural contexts in which the works reside on the university's campus; and The New School's relationship to adventurous art practice. Also included is a roundtable discussion among leading arts educators and artists who reflect on the pedagogical potential of a campus-based contemporary art collection. The book's final section presents a history of each commissioned work, highlighted by archival images never before published.
Art and society. --- Site-specific art --- New School University. --- New School University --- Art collections. --- 1900-2099 --- New York (State)
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"What happens between the knots? is the third book in the annual A Series of Open Questions published by CCA Wattis Institute for Contemporary Arts and Sternberg Press. Each book in the series includes newly commissioned writing as well a selection of perspectives, images, and references related to the Wattis's year-long research seasons dedicated to single artists. Each book takes the work of a single artist as its point of departure and spirals outward from there to create an expansive and carefully edited ecosystem of ideas and voices. This third issue is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility."
Feminism and the arts --- Arts and society --- kunst --- kunstenaars --- kunstkritiek --- eentwintigste eeuw --- Vicuña Cecilia --- feminisme --- ecologie --- antropoceen --- tekenkunst --- fotografie --- grafiek --- prentkunst --- 7.039 --- 7.038/7.039 --- Arts and feminism --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects --- 7.038/039 --- Vicuña, Cecilia
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