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B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the 'Village Voice' in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC.

Gays in motion pictures. --- Homosexuality in motion pictures. --- Sociology of the family. Sociology of sexuality --- Film --- ART --- PERFORMING ARTS --- Performing Arts. --- Motion pictures --- Film & Video. --- Film & Video --- Reference. --- History & Criticism. --- Gay people in motion pictures.

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If there was a moment during the sixties, seventies, or eighties that changed the history of the women’s film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100% pure cultural historical odyssey, Chick Flicks—with its definitive, the-way-it-was collection of essays—captures the birth and growth of feminist film as no other book has done.For over three decades Rich has been one of the most important voices in feminist film criticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in the Village Voice, Elle, Out, and the Advocate, and her commentaries on the public radio program “The World” have secured her a place as a central figure in the remarkable history of what she deems “cinefeminism.” In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex, and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women’s involvement in cinema but of one of its key players as well.The first book-length work from Rich—whose stature and influence in the world of film criticism and theory continue to grow—Chick Flicks exposes unexplored routes and forgotten byways of a past that’s recent enough to be remembered and far away enough to be memorable.

Feminism and motion pictures --- Feminist films --- Women in motion pictures --- Feminist film criticism

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Internet --- Film --- photography [process] --- computer art [visual works] --- video art --- Art --- performance art --- installations [visual works] --- Painting --- Photography --- painting [image-making] --- Taymor, Julie --- Holliday, George --- Fusco, Coco --- Gehr, Ernie --- Sherman, Cindy --- Williams, Sue --- Hammer, Barbara --- Sekula, Allan --- Kelly, John --- LeCompte, Elisabeth --- Fisher, Holly --- Viola, Bill --- Pierson, Jack --- Green, Renée --- Trinh T. Minh-ha --- Ray, Charles --- Cain, Peter --- Smith, Kiki --- Atlas, Charles --- Ligon, Glenn --- Applebroog, Ida --- Jones, William --- Osorio, Pepón --- Durham, Jimmie --- Gomez, Marga --- Lee, Spike --- McCauley, Robbie --- Simpson, Lorna --- Dash, Julie --- Campus, Peter --- Finley, Jeanne C. --- Saar, Alison --- Robinson, Jonathan --- Antoni, Janine --- Portillo, Lourdes --- Shephard, Greg --- Connor, Maureen --- Barney, Matthew --- Martinez, Daniel J. --- Varela, Willie --- Pittman, Lari --- Torres, Francesc --- Fraser, Andrea --- Not Channel Zero --- Kim, Byron --- Münch, Christopher --- Burden, Chris --- Chang, Christine --- Billops, Camille --- Gober, Robert --- Benning, Sadie --- Fulbeck, Kip --- Moffett, Donald --- Leonard, Zoe --- Tanaka, Janice --- Cheang, Shu Lea --- McClelland, Suzanne --- Grey, Michael Joaquin --- Dance Noise --- Paper Tiger Television --- Sellars, Peter --- Gómez-Peña, Guillermo --- Spero, Nancy --- Calle, Sophie --- Huff, Randolph --- Wilson, Fred --- Luna, James --- Williams, Marco --- Leone & Macdonald --- Kelley, Mike --- Williams, Pat Ward --- Bogawa, Roddy --- Kilimnik, Karen --- Hatch, James --- Rappaport, Mark --- Gorin, Jean-Pierre --- Leung, Simon --- Goldin, Nan --- Yonemoto, Bruce & Norman --- Hill, Gary --- Wellman, Mac --- Gandert, Miguel --- Pettibon, Raymond --- Martin, Timothy --- Dunye, Cheryl --- Wolff, Kevin --- Simmons, Gary --- Gulf Crisis TV Project --- The Wooster Group --- Deep Dish TV [New York, N.Y.] --- anno 1900-1999 --- United States --- Art, American --- Art américain --- Exhibitions --- Expositions --- Whitney Museum of American Art --- Art américain --- Torres Monsó, Francesco --- Martinez, Daniel Joseph --- easel paintings [paintings by form] --- net art --- Exhibitions. --- Paper Tiger Television [New York, N.Y.] --- paintings [visual works] --- United States of America

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"Riot is an intellectual autobiography of the artist Isaac Julien, whose trail-blazing career has pushed film through the forms of documentary, biography, dance, narrative, and multiscreen installation and into the spaces of art. As such, the book is an original, firsthand account of one of the crucial aesthetic developments of the last thirty years. Riot is the first book to offer an overview of his career and to set it in the context of his personal and intellectual path: the friendships, mentors, films, politics, songs, and artworks that have informed his thinking. Punk rock, urban riots, club and disco culture, the AIDS crisis, the migration of populations, the globalization of the art world — these and much more make appearances in Riot, in chapters written by Julien with Cynthia Rose and in essays by a distinguished group of his friends and colleagues with their own perspectives on his career: Paul Gilroy, Kobena Mercer, B. Ruby Rich, bell hooks, Mark Nash, Giuliana Bruno, Christine Van Assche, Laura Mulvey, and Stuart Hall."--