Listing 1 - 10 of 10 |
Sort by
|
Choose an application
Film --- anno 1940-1949 --- anno 1930-1939 --- Germany --- National socialism and motion pictures. --- Motion pictures --- Motion pictures in propaganda --- Nazisme et cinéma --- Cinéma --- Cinéma dans la propagande --- History. --- Histoire --- #SBIB:309H1320 --- #SBIB:309H521 --- #SBIB:AANKOOP --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Nationaal-socialisme en film --- National socialism and motion pictures --- National-socialisme et cinema --- Nazisme et cinéma --- Cinéma --- Cinéma dans la propagande --- History --- Propaganda in motion pictures --- Motion pictures in propaganda - Germany.
Choose an application
German literature --- Comparative literature --- Film --- German language --- Germany --- 791.43:82 --- #SBIB:309H1324 --- Film en literatuur --- Films met een amusementsfunctie en/of esthetische functie: film en literatuur --- Motion pictures --- 791.43:82 Film en literatuur
Choose an application
Film --- Pabst, G.W. --- Germany --- Pabst, Georg Wilhelm, --- Criticism and interpretation --- Critique et interprétation --- Pabst, G. W. --- Criticism and interpretation. --- Critique et interprétation --- Pabst, Georg Wilhelm
Choose an application
Eric Rentschler's new book, The Use and Abuse of Cinema, takes readers on a series of enthralling excursions through the fraught history of German cinema, from the Weimar and Nazi eras to the postwar and postwall epochs and into the new millennium. These journeys afford rich panoramas and nuanced close-ups from a nation's production of fantasies and spectacles, traversing the different ways in which the film medium has figured in Germany, both as a site of creative and critical enterprise and as a locus of destructive and regressive endeavor. Each of the chapters provides a stirring minidrama; the cast includes prominent critics such as Siegfried Kracauer and Rudolf Arnheim; postwar directors like Wolfgang Staudte, Rainer Werner Fassbinder, Wim Wenders, and Alexander Kluge; representatives of the so-called Berlin School; and exponents of mountain epics, early sound musicals, rubble films, and recent heritage features. A film history that is both original and unconventional, Rentschler's colorful tapestry weaves together figures, motifs, and stories in exciting, unexpected, and even novelistic ways.
Choose an application
Motion picture plays, German --- Motion pictures --- History and criticism --- History
Choose an application
Motion pictures --- History --- German cinema films, 1950-1980 - Critical studies.
Choose an application
Die Reihe "Stilepochen des Films" folgt einem neuen filmhistorischen Ansatz. Während in der Kunstgeschichte oder der Literaturgeschichte eine Gliederung in Stilepochen lange eingeführt ist, ist diese Betrachtungsweise für die junge Kunst des Films noch nicht gang und gäbe, obwohl sie sich unmittelbar aufdrängt. Jeder Band beginnt mit einer ausführlichen Einleitung, die den historischen und filmgeschichtlichen Zusammenhang herstellt; darauf folgen in chronologischer Reihe einlässliche Artikel zu den filmischen Hauptwerken der Stilepoche mit ausführlichen filmographischen Angaben. Zahlreiche Abbildungen lockern die Texte auf.
Motion pictures --- Motion picture producers and directors --- Motion picture industry --- Motion picture industry. --- Motion picture producers and directors. --- Motion pictures. --- History. --- Germany (West). --- Film --- anno 1970-1979 --- anno 1960-1969 --- anno 1980-1989 --- Germany
Choose an application
Choose an application
Choose an application
Listing 1 - 10 of 10 |
Sort by
|