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La 4e de couverture indique : "A *New* Program for Graphic Design is a do-it-yourself textbook that synthesizes the pragmatic with the experimental and builds on mid to late 20th-century pedagogical models to convey advanced principles of contemporary design. Rooted in three courses (Typography, Gestalt, and Interface) originally developed for liberal arts students at Princeton University, David Reinfurt provides a broad and comprehensive introduction to graphic design and visual literacy for readers from any discipline. From Benjamin Franklin to Bruno Munari, Moholy-Nagy to Muriel Cooper, and the Macintosh computer, this book serves as a practical guide for designers looking to understand and shape the increasingly networked world of information and design..."
Design --- grafisch design --- grafisch ontwerp --- grafische vormgeving --- designpraktijk --- designmethodologie --- designtheorie --- onderwijs --- onderwijskunde --- pedagogie --- informatie --- informatiedesign --- typografie --- webdesign --- 766.02 --- 766.01 --- Creation (Literary, artistic, etc.) --- Human factors in design --- Human engineering --- Human factors --- Social aspects --- Graphic arts --- graphic design --- typography --- visual literacy --- anno 2000-2009 --- anno 2010-2019 --- Arts graphiques --- Interfaces graphiques (informatique) --- Typographie. --- Psychologie de la forme. --- Design interactif. --- Informatique. --- Histoire. --- Innovations technologiques.
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Muriel Cooper (1925–1994) was the pioneering designer who created the iconic MIT Press colophon (or logo) — seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the graphically dazzling and controversial first edition of Learning from Las Vegas (1972). She used an offset press as an artistic tool, worked with a large-format Polaroid camera, and had an early vision of e-books. Cooper was the first design director of the MIT Press, the cofounder of the Visible Language Workshop at MIT, and the first woman to be granted tenure at MIT’s Media Lab, where she developed software interfaces and taught a new generation of designers. She began her four-decade career at MIT by designing vibrant printed flyers for the Office of Publications; her final projects were digital. This lavishly illustrated volume documents Cooper’s career in abundant detail, with prints, sketches, book covers, posters, mechanicals, student projects, and photographs, from her work in design, teaching, and research at MIT.A humanist among scientists, Cooper embraced dynamism, simultaneity, transparency, and expressiveness across all the media she worked in. More than two decades after her career came to a premature end, Muriel Cooper’s legacy is still unfolding. This beautiful slip-cased volume, designed by Yasuyo Iguchi, looks back at a body of work that is as contemporary now as it was when Cooper was experimenting with IBM Selectric typewriters. She designed design’s future.
Graphic arts --- graphic design --- graphic artists --- Cooper, Muriel
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Art --- Art and morals. --- Libraries. --- Artists' books. --- Libraries --- Criticism and interpretation.
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The 2019/20 issue of 'The Serving Library Annual' is entirely devoted to the late Italian designer, artist, inventor and polymath Bruno Munari. The core of the annual is the first English translation of 'Obvious Code' (Cioice ovvio), the 1971 collection of Munari's own writings, sketches and poems about his own work, published by arrangement with Corraini, who issued the book's anastatic edition in 2017. It includes iconic design objects such as the Abitacolo, ground-breaking artworks such as his 1952 series of hand-made projection slides, and little known rhymes about the art market, as well as an original piece from his "unreadable books" series. In the margins, dozens of artists, designers, writers and curators have been invited to annotate Munari's texts - with a sketch or a quotation, an in-depth analysis, a fragment of conversation, a free association - as a testament to the depth of the influence exerted on international art by an often underacknowledged pioneer, whose visual experiments were so iconic as to become a self-evident part of visual culture, an anonymous invention: an obvious code.
Munari, Bruno --- kunst --- kunsttheorie --- twintigste eeuw --- Italië --- 766.071 MUNARI --- 747.071 MUNARI --- 745.071 MUNARI --- 7.071 MUNARI --- schilderkunst --- beeldhouwkunst --- assemblage --- collage --- designtheorie --- design --- boekontwerp --- boeken --- posters --- affiches --- reclamevormgeving --- interieurvormgeving --- meubilair --- meubelkunst --- grafische vormgeving --- grafisch ontwerp --- grafisch design
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The Serving Library Annual' comprises a number of individual "Bulletins" organized around a theme for an international audience of designers, artists, writers, and researchers. Newly published by ROMA Publications in a yearly format, this inaugural issue is realised in collaboration with Public Fiction, a journal and exhibition-maker based in Los Angeles. It deals with acts of civil disobedience and other forms of resistance, particularly in view of the relationship between entertainment and power. Contributors include Hilton Als, Tauba Auerbach, Anne Carson, Mark Leckey, Adrian Piper, Frances Stark, and Martine Syms.
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This year's 'Annual' is published in tandem with a long-term installation of The Serving Library's collection of (mostly) framed objects at 019, an artist-run space in a former welding factory in Ghent, Belgium. Apparently, the sole common denominator of the objects in the collection - which range from paintings, photographs, and LP sleeves, to a can of green paint, a German car license plate, and an ouija board - is to have appeared as illustrations in an issue of The Serving Library Annual or one of its immediate predecessors, Bulletins of The Serving Library or Dot Dot Dot, sometime over the last 20 years. The present volume assembles The Serving Library collection at the time of writing, arranged in chronological order of production, as full-page images with extended captions.
Graphics industry --- 7.039 --- Kunstgeschiedenis ; 2000 - 2050 --- Serving Library (Project) --- Serving Library Company
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Gruijthuijsen, Krist ; Sarif, Alma ; Anastas, Rhea ; Van den Abeele, Michael ; Van den Brande, Kristien ; Reinfurt, David ; Mihaylova, Snejanka ; Handley, Sarah ; Mangelschoots, Lula ; Reynolds, Alex ; Alighieri , Andrea di Serego ; Singh, Nicola ; Snowden, Robert
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This issue comprises various outlooks on "perspective." This might be taken to mean something as specific as a particular opinion or as general as an axonometric projection; in short, different ways and means of looking at the world. And so we find Vincenzo Latronico attempting to get in touch with E.T., a collection of Lucy McKenzie's illusory quodlibets, a conversation between Jumana Manna and Robert Wyatt on art and ethics, a timely analysis of "Lifestyles of the Rich and Famous" by Sarah Demeuse, along with other points of view from Mark de Silva, Jocelyn Penny Small, Abigail Reynolds, James Langdon & Mathew Kneebone, Johan Hjerpe, and the inimitable 9mother9horse9eyes9.
Art --- Arts and morals. --- Perspective. --- Anamorphosis (Visual perception) --- Artists' books. --- Criticism and interpretation.
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Color. --- Art --- Art and morals. --- Artists' books. --- Criticism and interpretation.
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