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Book
Theatre, performance and analogue technology : historical interfaces and intermedialities
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ISBN: 9781137319661 Year: 2013 Publisher: Basingstoke : Palgrave Macmillan,

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Abstract

This trans-historical essay collection explores spectacular analogue performance technologies from Ancient Greece to before the Second World War in a study that is the first of its kind. From Heron of Alexandria's mechanical theatres to the fin de siecle theatre phone, from ancient mechanical elephants to early modern automata, from Enlightenment electrical experiments to Victorian spectral illusions, this volume offers an original examination of the precursors of contemporary digital performance. Featuring essays by contributors including Johannes Birringer, Odai Johnson, Kate Newey and Richard Beacham amongst others, the volume is the first book to offer key insights on analogue precursors to contemporary digital performance. Review: 'These explorations of intriguing oddities of performance history, interspersed by 46 illustrations, covers projects ranging from Richard Beacham's minutely re-created Roman-era toy theatre with mechanized movable parts to Michael Chemers's ongoing work with robots whose artificial intelligences lack (to date) what is understood as empathy... Recommended [for] graduate students, researchers, faculty, technical students, professionals, general readers.' - CHOICE


Book
Contemporary Approaches to Adaptation in Theatre
Author:
ISBN: 9781137597823 1137597828 1137597836 Year: 2018 Publisher: London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan,

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‘The focus on theatre in many variant forms and contexts in Contemporary Approaches to Adaptation is both fresh and energising. The astutely organised material gives us insight into the creative and collaborative process and serves as critical provocation. In the process of this volume we see adaptation at the heart of the devising, rehearsal and performance contexts and we engage with an impressively wide-ranging, and indeed global, group of theatre directors, companies and audiences in the process. Exploratory and experimental but always political and ethical in its stance on adaptation as a collective labour, this volume provides new frameworks for debate and practice in adaptation studies.’ – Julie Sanders, Pro-Vice-Chancellor, Newcastle University, UK   ‘Kara Reilly's carefully crafted and thought-provoking book is a welcome addition to the debate on stage adaptations. The volume captures a wide variety of theatrical and scholarly approaches and is set to become a must-read in the field.’ - Margherita Laera, Lecturer in Drama and Theatre, University of Kent, UK This book examines contemporary approaches to adaptation in theatre through seventeen international case studies. It explores company and directorial approaches to adaptation through analysis of the work of Kneehigh, Mabou Mines, Robert Le Page and Katie Mitchell. It then moves on to look at the transformation of the novel onto the stage in the work of Mitchell, and in The Red Badge of Courage, The Kite Runner, Anne Frank, and Fanny Hill. Next, it examines contemporary radical adaptations of Trojan Women and The Iliad. Finally, it looks at five different approaches to postmodern metatheatrical adaptation in early modern texts of Hamlet, The Changeling, and Faustus, as well as the work of the Neo-Futurists, and the mash-up Medea/Macbeth/Cinderella. Overall, this comprehensive study offers insights into key productions, ideas about approaches to adaptation, and current debates on fidelity, postmodernism and remediation.


Digital
Contemporary Approaches to Adaptation in Theatre
Author:
ISBN: 9781137597830 Year: 2018 Publisher: London Palgrave Macmillan UK :Imprint: Palgrave Macmillan

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Abstract

‘The focus on theatre in many variant forms and contexts in Contemporary Approaches to Adaptation is both fresh and energising. The astutely organised material gives us insight into the creative and collaborative process and serves as critical provocation. In the process of this volume we see adaptation at the heart of the devising, rehearsal and performance contexts and we engage with an impressively wide-ranging, and indeed global, group of theatre directors, companies and audiences in the process. Exploratory and experimental but always political and ethical in its stance on adaptation as a collective labour, this volume provides new frameworks for debate and practice in adaptation studies.’ – Julie Sanders, Pro-Vice-Chancellor, Newcastle University, UK   ‘Kara Reilly's carefully crafted and thought-provoking book is a welcome addition to the debate on stage adaptations. The volume captures a wide variety of theatrical and scholarly approaches and is set to become a must-read in the field.’ - Margherita Laera, Lecturer in Drama and Theatre, University of Kent, UK This book examines contemporary approaches to adaptation in theatre through seventeen international case studies. It explores company and directorial approaches to adaptation through analysis of the work of Kneehigh, Mabou Mines, Robert Le Page and Katie Mitchell. It then moves on to look at the transformation of the novel onto the stage in the work of Mitchell, and in The Red Badge of Courage, The Kite Runner, Anne Frank, and Fanny Hill. Next, it examines contemporary radical adaptations of Trojan Women and The Iliad. Finally, it looks at five different approaches to postmodern metatheatrical adaptation in early modern texts of Hamlet, The Changeling, and Faustus, as well as the work of the Neo-Futurists, and the mash-up Medea/Macbeth/Cinderella. Overall, this comprehensive study offers insights into key productions, ideas about approaches to adaptation, and current debates on fidelity, postmodernism and remediation.

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