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This title is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano's oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano's films are given due consideration, including 'A Scene at the Sea' (1991), 'Sonatine' (1993), 'Dolls' (2002), and 'Outrage' (2010).

Kitano, Takeshi --- Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Bito, Takeshi --- Producteurs et réalisateurs de cinéma --- Bīto, Takeshi --- Bīto Takeshi. --- Bi ̄to Takeshi. --- Motion pictures -- Japan -- History. --- Motion pictures -- Japan. --- Music, Dance, Drama & Film --- Film --- Bīto Takeshi --- Criticism and interpretation. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Beat Takeshi --- Kitano, Beat Takeshi --- Takeshi --- ビートたけし --- ビート・たけし --- ビート武 --- 北野武

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In this remarkable and original book, Sean Redmond examines the issues and themes that are repeatedly found across a range of contemporary science fiction films and television programmes. He argues that they reveal the profound effects the digital age has had on our social lives. Through narratives that feature the 'post-human', genetic engineering and cloning, surveillance and data mining, space and time travel, artificial intelligence, online dating cultures and visions of catastrophe, they portray a world in which the material, and the stable, are being lost to the ever-more volatile and ephemeral idea of 'liquid space'. Redmond examines a wide selection of popular films and TV series such as Gravity, Under the Skin, The Lobster, Children of Men and Doctor Who, to locate how traditional values are being erased in favour of a new liquid modernity. Drawing on an eclectic range of approaches from phenomenology to critical race theory, and from close textual analysis to the revelations of eye-tracking technology, this book is an illuminating account of the digital age through the lens of science fiction.

Science fiction films --- Science fiction television programs --- Digital cinematography. --- Sci-fi television programs --- Television programs --- Extrapolative films --- Future films (Science fiction films) --- Sci-fi films --- Sci-fiers (Motion pictures) --- Motion pictures --- Cinematography --- Digital filmmaking --- Digital moviemaking --- History. --- Digital techniques --- Digital cinematography --- #SBIB:309H525 --- #SBIB:316.7C212 --- 316.32 --- 316.32 Globale samenlevingsvormen --- Globale samenlevingsvormen --- History and criticism --- Sociologie van de audiovisuele boodschap --- Cultuursociologie: film --- History and criticism.

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Joker --- Joker (Motion picture)

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Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Bigelow, Kathryn --- Criticism and interpretation --- Criticism and interpretation. --- Bigelow, Kathryn, --- Producteurs et réalisateurs de cinéma --- Bigelow, Kathryn (1951-...) --- Réalisateurs de cinéma français --- Critique et interprétation --- États-Unis --- Réalisateurs de cinéma français --- Critique et interprétation --- États-Unis

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Built from stories and memories shared by self-defined David Bowie fans, this book explores how Bowie existed as a figure of renewal and redemption, resonating in particular with those marginalized by culture and society. Sean Redmond and Toija Cinque draw on personal interviews, memorabilia, diaries, letters, communal gatherings and shared conversation to find out why Bowie mattered so much to the fans that idolized him. Within the context of the contemporary media landscape, the book also determines the nature of the present digital conversations taking place about David Bowie, and focuses on seven geographical and intergenerational clusters to explore site-specific fandom. Contextualising the identification streams that have emerged around David Bowie, the book highlights his remarkable influence.

Music. --- Ethnology. --- Self. --- Emotions. --- Cultural Anthropology. --- Self and Identity. --- Emotion. --- Feelings --- Human emotions --- Passions --- Psychology --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Personal identity --- Consciousness --- Individuality --- Mind and body --- Personality --- Thought and thinking --- Will --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Identity (Psychology). --- Self --- Ego (Psychology)