Listing 1 - 8 of 8 |
Sort by
|
Choose an application
Choose an application
This book interrogates the repertoire of masculine performance in popular crime fiction and cinema from the 1940s, 50s, and 60s. This critical survey of the back alleys of pulp culture reveals American masculinities to be unsettled, contentious, crisis-ridden, racially fraught, and sexually anxious. Libertarian in their sensibilities, self-aggrandizing in their sentiments, resistant to the lures of upper mobility, scornful of white collar and corporate culture, the protagonists of these popular and populist works viewed themselves as working-class heroes cast adrift. Pulp Virilities explores the enduring traditions of hard-boiled and noir literature, casting a critical eye on its depictions of urban life and representations of gender, crime, labor, and race. Demonstrating how anxieties and possibilities of American masculinity are hammered out in works of popular culture, Pulp Virilities provides a rich cultural genealogy of contemporary American social life. Arthur Redding is Professor of English at York University in Toronto, Canada, where he teaches American literature. He has written four books and numerous articles about such topics as anarchism and writing, the culture of the Cold War, contemporary gothic fiction, and American public intellectuals. .
American literature --- Literature --- Amerindian literature --- literatuur --- Amerikaanse cultuur --- anno 1900-1999 --- United States of America --- Literature. --- America --- Literature, Modern --- North American Literature. --- Twentieth-Century Literature. --- Literature, Gender and Sexuality. --- Literatures. --- 20th century.
Choose an application
In Haints, Arthur Redding examines the work of contemporary American authors who draw on the gothic tradition in their fiction, not as frivolous or supernatural entertainments, but to explore and memorialize the ghosts of their heritage. Ghosts, Redding argues, serve as lasting witnesses to the legacies of slaves and indigenous peoples whose stories were lost in the remembrance or mistranslation of history. No matter how much Americans willingly or unwillingly repress the true history of their ancestry; their ghosts remain unburied and restless.
National characteristics, American, in literature. --- Collective memory in literature. --- Ghosts in literature. --- Gothic fiction (Literary genre), American --- Ghost stories, American --- American gothic fiction (Literary genre) --- American fiction --- American ghost stories --- History and criticism.
Choose an application
American fiction --- Violence in literature. --- Literature and society --- Anarchism --- Violence --- Consciousness in literature. --- Anarchism in literature. --- Violent behavior --- Social psychology --- Anarchism and anarchists --- Anarchy --- Government, Resistance to --- Libertarianism --- Nihilism --- Socialism --- History and criticism --- Theory, etc. --- History --- Theory, etc --- 20th century --- Violence in literature --- United States --- Consciousness in literature --- Anarchism in literature
Choose an application
What use is thinking? This study addresses the ways in which modern American thinkers have intervened in the public sphere and attempted to mediate relations between social and political institutions and cultural and intellectual production. Chapters on both well-known and neglected public intellectuals address problems of critical dissent during wartime, the contemporary crisis of the humanities under neoliberalism, and the perils of consumer culture and popular taste, arguing that any ""use-value"" theory of intellectual production is limiting.
Intellectuals --- Literature and society --- War and literature --- Dissenters --- Criticism --- Radicals --- History --- Dissidents --- Nonconformists --- Rebels (Social psychology) --- Conformity --- Literature and war --- Literature
Choose an application
This book interrogates the repertoire of masculine performance in popular crime fiction and cinema from the 1940s, 50s, and 60s. This critical survey of the back alleys of pulp culture reveals American masculinities to be unsettled, contentious, crisis-ridden, racially fraught, and sexually anxious. Libertarian in their sensibilities, self-aggrandizing in their sentiments, resistant to the lures of upper mobility, scornful of white collar and corporate culture, the protagonists of these popular and populist works viewed themselves as working-class heroes cast adrift. Pulp Virilities explores the enduring traditions of hard-boiled and noir literature, casting a critical eye on its depictions of urban life and representations of gender, crime, labor, and race. Demonstrating how anxieties and possibilities of American masculinity are hammered out in works of popular culture, Pulp Virilities provides a rich cultural genealogy of contemporary American social life. Arthur Redding is Professor of English at York University in Toronto, Canada, where he teaches American literature. He has written four books and numerous articles about such topics as anarchism and writing, the culture of the Cold War, contemporary gothic fiction, and American public intellectuals. .
American fiction. --- American fiction --- Detective and mystery films. --- History and criticism. --- Crime films --- Police films --- American literature --- Literature. --- America --- Literature, Modern --- North American Literature. --- Twentieth-Century Literature. --- Literature, Gender and Sexuality. --- Literatures. --- 20th century. --- Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship
Choose an application
Choose an application
Listing 1 - 8 of 8 |
Sort by
|