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"Postcolonial Disaster creates a narratology for postcolonial disaster fiction; through a rigorous engagement with disaster studies, the book also interjects the humanities, as well as humanistic inquiry, in a well-established discipline anchored mostly to the social sciences. The book will be of interest to scholars, teachers, graduate and undergraduate students in the humanities and in the allied social sciences such as anthropology, geography, and political science"--
African fiction (English) --- African fiction (English). --- Disasters in literature. --- Disasters in literature. --- English fiction --- English fiction. --- Postcolonialism in literature. --- Postcolonialism in literature. --- South Asian fiction (English) --- South Asian fiction (English). --- History and criticism. --- History and criticism --- History and criticism. --- 2000-2099.
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Group identity in literature. --- Identity (Psychology) in literature. --- East Indian diaspora in literature. --- East Indians --- South African fiction (English) --- South African fiction (English) --- South African fiction (English) --- Intellectual life. --- East Indian authors --- History and criticism. --- History and criticism. --- History and criticism.
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Group identity in literature. --- Identity (Psychology) in literature. --- East Indian diaspora in literature. --- East Indians --- South African fiction (English) --- South African fiction (English) --- South African fiction (English) --- Intellectual life. --- East Indian authors --- History and criticism. --- History and criticism. --- History and criticism.
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In the first published book-length study of Indian fiction in South Africa, Pallavi Rastogi demonstrates that Indians desire South African citizenship in the fullest sense of the word, a longing for inclusion that is asserted through an “Afrindian” identity. Afrindian Fictions: Diaspora, Race, and National Desire in South Africa examines Afrindian identity and blurs the racial binary of black and white interaction in South African studies as well as unsettles the East-West paradigm of migration dominant in South Asian diaspora studies. While offering incisive analyses of the work of the most important South African Indian writers today—Ahmed Essop, Farida Karodia, Achmat Dangor, Imraan Coovadia, and Praba Moodley among others—the author also places South African Indian fiction within broader literary traditions. Rastogi’s project of recovery shines a light on the rich but neglected literature by South African Indians. The book closes with interviews conducted with six key South African Indian writers. Here the authors not only reflect on their own writing but also comment on many of the issues raised in the book itself, particularly the role of Indians in South Africa today, and the status of South African Indian writing. Afrindian Fictions is a valuable introduction to South African Indian literature as well as a major interrogation of some of the foundational notions of post-colonial literary studies.
LITTERATURE SUD-AFRICAINE DE LANGUE ANGLAISE --- LITTERATURE SUD-AFRICAINE DE LANGUE ANGLAISE --- DIASPORA --- INDIENS DE L'INDE --- Identité (psychologie) --- IDENTITE COLLECTIVE DANS LA LITTERATURE --- HISTOIRE ET CRITIQUE --- AUTEURS INDIENS --- DANS LA LITTERATURE --- A L'ETRANGER --- Dans la littérature --- LITTERATURE SUD-AFRICAINE DE LANGUE ANGLAISE --- LITTERATURE SUD-AFRICAINE DE LANGUE ANGLAISE --- DIASPORA --- INDIENS DE L'INDE --- Identité (psychologie) --- IDENTITE COLLECTIVE DANS LA LITTERATURE --- HISTOIRE ET CRITIQUE --- AUTEURS INDIENS --- HISTOIRE ET CRITIQUE --- DANS LA LITTERATURE --- A L'ETRANGER --- VIE INTELLECTUELLE --- Dans la littérature
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Migration from the Indian subcontinent began on a large scale over 150 years ago, and today there are diasporic communities around the world. The identities of South Asians in the diaspora are informed by roots in the subcontinent and the complex experiences of race, religion, nation, class, caste, gender, sexuality, language, trauma, and geography. The literature that arises from these roots and experiences is diverse, powerful, and urgent. Teaching South Asian Anglophone Diasporic Literature embraces an intersectionality that attends to the historical and material conditions of cultural production, the institutional contexts of pedagogy, and the subject positions of teachers and students. Encouraging a deep engagement with works whose personal, political, and cultural insights are specific to South Asian diasporic consciousness, the volume also provokes meaningful reflection on other literatures in an age of increasing migration and diaspora.
South Asian literature. --- American literature --- Caribbean literature. --- English literature --- South Asian diaspora. --- South Asian American authors. --- South Asian authors.
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Before Windrush: Recovering an Asian and Black Literary Heritage Otherin Britain is an important intervention in the growing field of Black British literary studies. Composed of essays on non-white writers living in, or writing about, Britain in the period before the post-WW II wave of immigration, the anthology testifies to the existence of a British nation that has been multiracial and multicultural for centuries. Through an analysis of well-known figures such as Mary Prince, Mary Seacole, C...
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Before Windrush: Recovering an Asian and Black Literary Heritage within Britain is an important intervention in the growing field of Black British literary studies. Composed of essays on non-white writers living in, or writing about, Britain in the period before the post-WW II wave of immigration, the anthology testifies to the existence of a British nation that has been multiracial and multicultural for centuries. Through an analysis of well-known figures such as Mary Prince, Mary Seacole, C. L. R. James, and Mulk Raj Anand as well as forgotten writers such as Helena Wells, Lucy Peacock, Olive Christian Malvery, Bhagvat Singh Jee, T. B. Pandian, and Lao She among others, the essays in Before Windrush shed light on an understudied aspect of Britain: its racial and ethnic complexity during the colonial period. The authors discussed here, whose work originates in and borrows from Romantic, Victorian, and Modernist conventions, challenge the implicit whiteness of English writing by showing the literary legacy of the Asian and black presence in Britain. Before Windrush places this hidden literary history of Asian and black literature within the social and cultural contexts of its British production.
LITTERATURE ANGLAISE --- LITTERATURE ANGLAISE --- Littérature anglaise --- AUTEURS NOIRS --- AUTEURS ASIATIQUES --- Auteurs du Commonwealth --- LITTERATURE ANGLAISE --- LITTERATURE ANGLAISE --- Littérature anglaise --- AUTEURS NOIRS --- AUTEURS ASIATIQUES --- HISTOIRE ET CRITIQUE --- Auteurs du Commonwealth
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