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Bringing together the work of both leading and emerging scholars in the field of medieval gender studies, the essays in Rivalrous Masculinities advance our understanding of medieval masculinity as a pluralized category and as an intersectional category of gender. The essays in this volume are distinguished by a conceptual focus that goes beyo nd heteronormativity and by their attention to constructions of medieval masculinity in the context of femininity, class, religion, and place. Some widen the field of medieval gender studies inquiry to include explorations of medieval friendship as a framework or culture of arousal and deep emotionality that produced multiple, complex ways of living intensely with respect to gender and sexuality, without reducing all forms of intimacy to implicit sexuality. Some examine intersections of identity, explicating change and difference in conventional modes of gender with regards to regional culture, religion, race, or class. In order to ground this intersectional and interdisciplinary approach with the appropriate disciplinary expertise, the essays in this volume represent a broad cross-section of disciplines: art history, religious studies, history, and French, Italian, German, Yiddish, Middle English, and Old English literature. Together, they open up new intellectual vistas for future research in the field of medieval gender studies. Contributors include: Ann Marie Rasmussen, Clare A. Lees, Gillian R. Overing, J. Christian Straubhaar-Jones, Astrid Lembke, Darrin Cox, F. Regina Psaki, Corinne Wieben, Ruth Mazo Karras, Diane Wolfthal, Karma Lochrie, and Andreas Krass.

Men --- Masculinity --- Europe --- Social Science --- History --- Social science

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The number of surviving medieval secular poems attributed to named female authors is small, some of the best known being those of the trobairitz the female troubadours of southern France. However, there is a large body of poetry that constructs a particular textual femininity through the use of the female voice. Some of these poems are by men and a few by women (including the trobairitz); many are anonymous, and often the gender of the poet is unresolvable. A "woman's song" in this sense can be defined as a female-voice poem on the subject of love, typically characterized by simple language, sexual candor, and apparent artlessness.The chapters in Medieval Woman's Song bring together scholars in a range of disciplines to examine how both men and women contributed to this art form. Without eschewing consideration of authorship, the collection deliberately overturns the long-standing scholarly practice of treating as separate and distinct entities female-voice lyrics composed by men and those composed by women. What is at stake here is less the voice of women themselves than its cultural and generic construction.

Music --- History of civilization --- anno 500-1499 --- Vocal music --- Women musicians --- Women singers --- Musicians, Women --- Women as musicians --- Musicians --- Music and society --- Social aspects --- History and criticism

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In recent decades the conceptualization of space and place as social constructs, rather than static settings has received significant attention and has been re-evaluated with an emphasis on the cultural, social and political practice. This shift moves away from regarding space as fixed, unchanging container towards a realization that space is always inextricably linked with social practice and cultural signification. Thus, the study of spatial practices interrogates human action in different spaces, human agency in the production of space, and space in its capacity to prompt human action. By focusing on human action in manipulating and subverting space, and thereby creating multiple coexisting and overlapping spatialities, the interest also shifts from semiotic correlations in cultural expressions to events, practices, material and medial embodiment of culture.This collection of essays approaches the study of space and place from a historically inclusive perspective; it gives new insights into historical shifts and changes in the construction and perception of space as well as historical developments and diachonicity of literary, social, and architectural sites and places. It aims to gather a number of case studies in order to collect historically concrete evidence of such spatial practices as reflected in literature and art as well as in sources pertaining to the social and political life of premodern, early modern, and modern era.

Civilization --- Cultural geography. --- Social sciences. --- History. --- Human geography --- Cultural history --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Literatur --- Literaturgeschichte --- space --- place --- spatial practices --- spatial theory --- heterotopy --- Kant --- Immanuel --- Kuhn --- Hugo --- Certeau --- de Michel --- Foucault --- Michel