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In recent decades, much of the most vital literature written in English has come from the former colonies of Great Britain. But while post-colonial novelists such as Chinua Achebe, Salman Rushdie and V.S. Naipaul have been widely celebrated, the achievements of postcolonial poets have been strangely neglected. In "The Hybrid Muse", Jahan Ramazani argues that postcolonial poets have also dramatically expanded the atlas of literature in English, infusing modern and contemporary poetry with indigenous metaphors, rhythms and creoles. A rich and vibrant poetry, he contends, has issued from the hybridization of the English muse with the long resident muses of Africa, India and the Caribbean. Starting with the complex case of Ireland, Ramazani closely analyzes the work of leading postcolonial poets and explores key questions about the relationship between poetry and postcolonialism. As inheritors of both imperial and native cultures, poets such as W.B. Yeats, Derek Walcott, Louise Bennett, A.K. Ramanujan and Okot p'Bitek invent compelling new forms to ariculate the tensions and ambiguities of their cultural in-betweeness. They forge hybrid figures, vocabularies and genres that embody the postcolonial condition. Engaging an array of critical topics, from the aesthetics of irony and metaphor to the politics of nationalism and anthropology, Ramazani reconceptualizes issues central to our understanding of both postcolonial literatures and 20th-century poetry. The first book of its kind, "The Hybrid Muse" should help internationalize the study of poetry, and in turn, strengthen the place of poetry in postcolonial studies.

Poetry --- English literature --- British Commonwealth --- Yeats, William Butler (1865-1939) --- Walcott, Derek (1930-....) --- Ramanujan, Attippat Krishnaswami (1929-1993) --- Bennett, Louise (1919-....) --- p'Bitek, Okot (1931-1982) --- Poésie anglophone --- Littérature postcoloniale --- Décolonisation --- Critique et interprétation --- 20e siècle --- Histoire et critique --- Dans la littérature

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Poetry is often viewed as culturally homogeneous—“stubbornly national,” in T. S. Eliot’s phrase, or “the most provincial of the arts,” according to W. H. Auden. But in A Transnational Poetics, Jahan Ramazani uncovers the ocean-straddling energies of the poetic imagination—in modernism and the Harlem Renaissance; in post–World War II North America and the North Atlantic; and in ethnic American, postcolonial, and black British writing. Cross-cultural exchange and influence are, he argues, among the chief engines of poetic development in the twentieth- and twenty-first centuries. Reexamining the work of a wide array of poets, from Eliot, Yeats, and Langston Hughes to Elizabeth Bishop, Lorna Goodison, and Agha Shahid Ali, Ramazani reveals the many ways in which modern and contemporary poetry in English overflows national borders and exceeds the scope of national literary paradigms. Through a variety of transnational templates—globalization, migration, travel, genre, influence, modernity, decolonization, and diaspora—he discovers poetic connection and dialogue across nations and even hemispheres. Exceptionally wide-ranging in scope yet rigorously focused on particulars, A Transnational Poetics demonstrates how poetic analysis can foster an aesthetically attuned transnational literary criticism that is at the same time alert to modernity’s global condition.

Poetry --- Poetics --- Literature and globalization --- Transnationalism in literature --- Postcolonialism in literature --- History and criticism --- Transnationalism in literature. --- Criticism --- Globalization and literature --- Globalization --- Technique --- Poetics. --- Literature and globalization. --- Postcolonialism in literature. --- History and criticism. --- Poetry - History and criticism --- Literature --- Poésie --- Poétique. --- Littérature et mondialisation. --- Transnationalisme dans la littérature. --- Postcolonialisme dans la littérature. --- Poetry. --- Poetry, Modern --- Influence (Literary, artistic, etc.) --- Philosophy. --- Histoire et critique. --- History --- Littérature et globalisation --- Transnationalisme --- Postcolonialisme --- Histoire et critique --- Dans la littérature

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"Ideas, culture, and capital now flow across national borders with unprecedented ease, but we tend not to think of poems as taking part in this globalization. Jahan Ramazani shows that poetry has much to contribute to understanding literature in an extra-national frame. Indeed, the porousness of world poetry, he argues, stands to radicalize the current transnational turn in the humanities. "Poetry in a Global Age" builds on Ramazani's award-winning "A Transnational Poetics" (2009), a book that had a catalytic effect on literary studies. Ramazani broadens his lens to discuss modern and contemporary poems not only in relation to world literature, war, and questions of orientalism, but also in light of current debates over ecocriticism, translation studies, tourism, and cultural geography. He offers brilliant readings of postcolonial poets like Agha Shahid Ali, Daljit Nagra, and Arun Kolatkar, as well as canonical modernists such as Thomas Hardy, W. B. Yeats, and Wallace Stevens. We hear, for example, the Jamaican poet Lorna Goodison tell of being dislocated by the words of T. S. Eliot, while Eliot's own "Journey of the Magi" alludes to writings from Guadeloupe. Encounters with global poetry, Ramazani shows, inspire poets-and their readers-to "relocalize" themselves in more thoughtful ways"--

Poetry, Modern --- Literature and globalization. --- History and criticism --- Literature and globalization --- Globalization --- Globalization and literature --- History and criticism. --- cosmopolitanism. --- global literature. --- globalization. --- lyric. --- modernism. --- poetry. --- postcolonial. --- transnational poetics. --- twentieth-century poetry. --- world literature.

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"Ideas, culture, and capital now flow across national borders with unprecedented ease, but we tend not to think of poems as taking part in this globalization. Jahan Ramazani shows that poetry has much to contribute to understanding literature in an extra-national frame. Indeed, the porousness of world poetry, he argues, stands to radicalize the current transnational turn in the humanities. "Poetry in a Global Age" builds on Ramazani's award-winning "A Transnational Poetics" (2009), a book that had a catalytic effect on literary studies. Ramazani broadens his lens to discuss modern and contemporary poems not only in relation to world literature, war, and questions of orientalism, but also in light of current debates over ecocriticism, translation studies, tourism, and cultural geography. He offers brilliant readings of postcolonial poets like Agha Shahid Ali, Daljit Nagra, and Arun Kolatkar, as well as canonical modernists such as Thomas Hardy, W. B. Yeats, and Wallace Stevens. We hear, for example, the Jamaican poet Lorna Goodison tell of being dislocated by the words of T. S. Eliot, while Eliot's own "Journey of the Magi" alludes to writings from Guadeloupe. Encounters with global poetry, Ramazani shows, inspire poets-and their readers-to "relocalize" themselves in more thoughtful ways"

Poetry, Modern--20th century--History and criticism --- Literature and globalization