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Book
History of modern design : graphics and products since the industrial revolution.
Author:
ISBN: 9781856696944 1856696944 Year: 2010 Publisher: London Laurence King

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Abstract

Surveying applied arts and industrial design from the 18th century to the present day, this second edition of David Raizman's book 'History of Modern Design' explores the dynamic relationship between design and manufacturing, and the technological, social and commercial context in which this relationship developed.The effects of a vastly enlarged audience for the products of modern design and the complex dynamic of mass consumption are also discussed. Part of this dynamic reveals that products serve as signs for desires that have little to do with need or function. The book also explores the impact of a wealth of new man-made industrial materials and tools on the course of modern design - from steel to titanium, plywood to plastic, cotton to nylon, wire to transistors,and microprocessors to nanotubes. The research, development and applications of these technologies are shown as depending upon far-reaching lines of communication stretching across geographical and linguistic boundaries.Extensively revised and expanded for this second edition, 'History of Modern Design' is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study.


Book
Reading graphic design history : image, text, and context
Author:
ISBN: 1474299377 1474299385 Year: 2021 Publisher: London, England : Bloomsbury Visual Arts,

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Reading Graphic Design History uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction and typography, often addressing issues of class, race and gender. David Raizman's innovative approach intentionally challenges the canon of graphic design history and various traditional understandings of graphic design. He re-examines 'icons' of graphic design in light of their local contexts, avoiding generalization to explore underlying attitudes about various social issues. He encourages new ways of reading graphic design that take into account a broader context for graphic design activity, rather than broad views that discourage the understanding of difference and the means by which graphic design communicates cultural values.

Objects, audiences and literatures
Authors: ---
ISBN: 1282193015 9786612193019 1443809462 9781443809467 9781847180926 1847180922 9781282193017 6612193018 Year: 2007 Publisher: Newcastle Cambridge Scholars

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In Objects, Audiences, and Literatures: Alternative Narratives in the History of Design, five art historians tap a variety of unexpected literary sources to reveal the dynamic relationship between intention and reception in architecture, interior design, costume, and the decorative arts. The essays consider both handcrafted and serially produced objects from the eighteenth to the mid-twentieth centuries, including a japanned high chest from colonial Boston, German and Austrian Artistic Dress.


Book
Reading graphic design history : image, text and context
Authors: ---
ISBN: 9781474299398 1474299393 9781474299411 1474299415 Year: 2021 Publisher: London Bloomsbury Publishing

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Reading Graphic Design History uses a series of key texts from the history of print culture to address issues of class, race, and gender, encouraging the reader to look at print advertising, illustration, posters, magazine art direction, and typography critically as well as aesthetically, using contemporary literary and other visual evidence from the fine arts, architecture, fashion, and popular prints. David Raizman's innovative approach intentionally challenges the canon of graphic design history, or traditional understandings of graphic design that privilege key schools or movements. He re-examines "icons" of graphic design in light of their local contexts, avoiding generalization to explore underlying attitudes about women's roles in society, the relationship between politics and print, race, and ethnicity. He therefore encourages new ways of reading graphic design that take into account the specific and often local context for graphic design activity rather than generalizations that discourage the understanding of difference and the means by which graphic design communicates cultural values.

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