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Philosophy and psychology of culture --- Film --- Deleuze, Gilles --- #SBIB:309H1323 --- #SBIB:014.GIFT --- Joost Raessens --- film --- filmtheorie --- film en filosofie --- Deleuze Gilles --- differentiefilosofie --- Scott Ridley --- Blade Runner --- Lynch David --- Blue Velvet --- Himmel über Berlin --- Wenders Wim --- Matrix --- Wachowski Larry --- Cronenberg David --- eXistenZ --- Hitchcock Alfred --- 791.41 --- Motion pictures --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Philosophy --- History and criticism --- -Contributions in film theory --- Theses --- Philosophy. --- Deleuze, Gilles, --- -Films met een amusementsfunctie en/of esthetische functie: auteurs --- -Audio-visual materials --- Cinema --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Delezi, Jier, --- CDL

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The rapid developments of new communication technologies have facilitated the popularization of digital games, which has translated into an exponential growth of the game industry in the last decades. The ubiquitous presence of digital games has resulted in an expansion of the applications of these games from mere entertainment purposes to a great variety of serious purposes. In this edited volume, we narrow the scope of attention by focusing on what game theorist Ian Bogost has called "persuasive games", that is, gaming practices that combine the dissemination of information with attempts to engage players in particular attitudes and behaviors. This volume offers a multifaceted reflection on persuasive gaming, that is, on the process of these particular games being played by players. The purpose is to better understand when and how digital games can be used for persuasion, by further exploring persuasive games and some other kinds of persuasive playful interaction as well. The book critically integrates what has been accomplished in separate research traditions to offer a multidisciplinary approach to understanding persuasive gaming that is closely linked to developments in the industry by including the exploration of relevant case studies.

Media studies --- Social, group or collective psychology --- Game theory --- Game, play, persuasion, game design, serious games

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With the climate crisis and its repercussions becoming more and more tangible, games are increasingly participating in the production, circulation, and interrogation of environmental assumptions, using both explicit and implicit ways of framing the crisis. Whether they are providing new spaces to imagine and practice alternative forms of living, or reproducing ecomodernist fantasies, games as well as player cultures are increasingly tuned in to the most pressing environmental concerns. This book brings together chapters by a diverse group of established and emerging authors to develop a growing body of scholarship that explores the shape, impact, and cultural context of ecogames. The book comprises four thematic sections, Today's Challenges: Games for Change, Future Worlds: New Imaginaries, The Nonhuman Turn, and Critical Metagaming Practices. Each section explores different aspects of ecocritical engagement in and through games. As a result, the book's comprehensive scope covers a variety of angles, methodologies, and case studies, significantly expanding the field of green media studies.

Ecogames, games for change, future worlds, nonhuman epistemologies, metagaming practices. --- NON-CLASSIFIABLE.