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Documentary photography --- War photography --- Raad, Walid, --- kunst --- fotografie --- kunst en fotografie --- politiek --- kunst en politiek --- Libanon --- The Atlas group --- twintigste eeuw --- eenentwintigste eeuw --- Raad Walid --- 7.071 RAAD --- Documentary photography - Lebanon - Beirut - Exhibitions --- War photography - Lebanon - Beirut - Exhibitions --- Raad, Walid, - 1967- - Exhibitions --- Raad, Walid, - 1967-
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Kunstenaars --- Art and the war --- Psychologie
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Art --- appointment books --- drawings [visual works] --- wars --- artists' books [books] --- flowers [plant components] --- collage [technique] --- bombs [explosive weapons] --- political art --- Raad, Walid --- Lebanon
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Presenting a comprehensive selection of photographic and video works produced under the fictional collective name The Atlas Group, this volume spans the entire artistic oeuvre of Walid Raad.
Art and Design. --- Raad, Walid, --- Raad, Walid,
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This eye-catching booklet is published with an exhibition of hybrid wooden objects by Lebanese-American artist Walid Raad at Kunst-Station Sankt Peter Köln in Germany. Raad’s practice spans almost every artistic discipline, from photographs, videos, and lectures, to performances, sculptures, collages, and drawings. The artist’s approach is based on the assumption that artworks are not constants, but rather mutable quantities that change meaning and thus also their form during cultural or physical transfer. For instance, in dealing with the Lebanese wars, he uses the format of a seemingly authentic archive to confront the Western viewer with a society that has lost a unifying narrative.
Sculpture --- sculpture [visual works] --- wood [plant material] --- #breakthecanon --- Raad, Walid
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Lebanese artist Walid Raad is an influential voice in art from the Middle East. Published for his first comprehensive exhibition in the US, this catalogue surveys three decades of Raad's practice in photography, video and performance. Beginning with his groundbreaking project The Atlas Group (1989-2004), to his recent work on the history of art in the Arab world (2007-ongoing), it offers an overview of Raad's career and features his most momentous bodies of work. Raad explores the ways we represent war and history, casting doubt on the veracity of photographic and video documentation. Essays by scholars place Raad's art in the context of contemporary photography and video, as well as art made in Lebanon since the 1960s; provide an overview of Raad's performance lectures; and examine Raad's most recent bodies of work made in the Islamic galleries at the Louvre and Metropolitan Museum of Art, which explore the history, collecting and display of historical and modern art and artifacts from the Arab world and Iran. A special contribution by Raad presents a fictional interview with multiple artists, curators and writers.
performance art --- inkjet prints --- video art --- photography [process] --- Islamic [culture or style] --- Art --- Raad, Walid --- Lebanon --- Raad, Walid, --- #breakthecanon --- Art libanais --- Art, Lebanese --- Art, Lebanese. --- Ra'ad, Walid, --- 1900-2099. --- Raad, Walid, - 1967 --- -Raad, Walid, - 1967- - Exhibitions --- -Raad, Walid, - 1967 --- -Raad, Walid
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Productive Archiving bespreekt een aantal problemen van het archiveren. Het focust met name op de volgende drie kwesties die veelal over het hoofd worden gezien: ten eerste, de vraag van van inclusiviteit of exclusiviteit van bepaalde mensen of categorieën in het archief; ten tweede, het verlies van individualiteit in het archief; en als derde, dat archiveren een vorm van hokjesdenken kan worden, met het plaatsen van specifieke identiteiten binnen een bepaald kader. Het archief vermijden omwille van deze problemen is geen optie, omdat archiveren een menselijke modus is waarmee we onze levens vormgeven, het verleden, het heden en de toekomst ordenen. Wat dit boek suggereert is dat het het beste is om constructieve en creatieve oplossingen te vinden voor bovenstaande kwesties. Met name artistieke archiveerwijzen kunnen mogelijke oplossingen ontwikkelen, omdat zij speculatieve en onvoorziene manieren bieden om te ordenen, selecteren, specifieke informatie te vertellen en nieuwe verbintenissen teweeg kunnen brengen.
Fonds d'archives --- Mémoire --- 700.5 --- archivering --- kunstverzamelingen --- kunstwereld --- inclusiviteit --- Diaz Morales, Sebastian --- Kentridge, William --- Huber, Monika --- Meijer, Inge --- Christensen, Jeannette --- LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) --- Raad, Walid --- Teeuwen, Marjan --- Lerma, Pablo --- Mofokeng, Santu --- Williams Gamaker, Michelle --- beeldende kunst, kunstverzamelen - kunsthandel - kunstvervalsing --- Archivistics
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Balka, Miroslaw ; Fritsch, Katharina ; Geers, Kendell ; Hadjimichalis, George ; Hatoum, Mona ; Hill, Gary ; Jacir, Emily ; Kimsooja ; Kounellis, Jannis ; Laib, Wolfgang ; Neshat, Shirin ; Raad, Walid ; Stratou, Danae ; Suh, Do-Ho ; The Atlas Group ; Tsoclis, Costas ; Varotsos, Costas ; Viola, Bill
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