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Film --- Cinematography --- Motion pictures --- Stills (Motion pictures) --- 778.5 --- 791.43 --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- 778.5 Filmfotografie. Filmkunst --- Filmfotografie. Filmkunst --- Photographs --- Aesthetics --- Special effects (Cinematography) --- Trick cinematography --- Special effects

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Film

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Det norske forskningsprosjektet Digitization and Diversity – Potentials and Challenges for Diversity in the Culture and Media Sector (DnD) spør: Hvordan påvirker digitaliseringen ulike mangfoldsdimensjoner i kultur- og mediesektoren? Kapitlene i denne boken belyser digitalisering og mangfoldsproblematikk både kritisk, empirisk, teoretisk, historisk og politisk. De har det til felles at de presenterer perspektiver og resultater som viser at mangfold har blitt en mye mer heterogen og sammensatt utfordring etter digitaliseringen. Det har oppstått nye spenninger mellom homogenisering og mangfold. Vi har konsentrert oss om digitaliseringen i fire bransjer: bok og bibliotek, museum, film og kino samt pressen med vekt på lokalavisene. Grunnen til at akkurat disse bransjene ble valgt, er at Norge var spesielt tidlig ute med digitalisering her – de fremstår som eksemplariske case. Å opprettholde og å styrke et mangfold av stemmer, innhold og uttrykksformer samt å sørge for tilgjengelighet og et mangfoldig forbruk demografisk sett, er en av hovedgrunnene til at vi har offentlige støtteordninger for kultur- og mediesektoren. Spørsmålet om hvordan mangfoldet «oppfører seg» i en digitalisert kultur- og mediesektor, befinner seg derfor midt i denne politikkens kjernevirksomhet. Digitalisering forfølges av sin dobbeltgjenger – eldre praksiser, forretningsmodeller og forestillinger – på godt og vondt. Digitalisering er ikke en ren foreteelse, men en uren legering av praksiser. De som bidrar i denne boken er: Tor Bang, Peter Booth, Taina Bucher, Irina Eidsvold-Tøien, Terje Gaustad, Anne-Britt Gran, Linn-Birgit Kampen Kristensen, Anne Ogundipe, Ragnhild Kristine Olsen, Eivind Røssaak og Nina Lager Vestberg.

Technology, engineering, agriculture --- Technology: general issues --- Computing & information technology --- Digital lifestyle

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How should we understand social memory in the age of new media? Classic sociology described the ways in which social memory was enacted through ritual, language art, architecture and institution - phenomena whose persistence over time and whose capacity for a shared storing of the past was contrasted with fleeting individual memory. Society is memory, Émile Durkheim stated. However, today's new time technologies compel us to rethink this concept of memory and its emphasis on a shared past. For in the age of digital computing, instant updating and transfer functions and interconnection through real time networks give an unprecedented priority to the present and the future, while challenging the very distinction between individual and collective memory. New media technologies raise the question of the temporalities of memory to a principle, challenging not just the classic description of social memory, but also the social ontology that it presupposes. 'Memory in Motion: Archives, Technology and the Social' discusses the new technologies of memory from perspectives that explicitly investigate their impact on the very conceptualization of the social.

Identity (Psychology) and mass media. --- Archives. --- Digital media --- Collective memory. --- Social aspects. --- Archive theory, social memory studies, digital technologies, media archaeology, media ecology.

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Sociology has long had approaches to describing the ways in which social memory is enacted through ritual, language, art, architecture, and institutions-phenomena whose persistence over time and capacity for a shared storage of the past was set in contrast to fleeting individual memory. But the question of how new media changes that equation is very much up in the air-how, in the age of digital computing, instant updating, and interconnection in real time, is social memory created and enacted? This collection offers a set of essays that discuss the new technology of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social.

Neue Medien --- Soziale Software --- Archiv --- Gedenken --- Kollektives Gedächtnis --- Identity (Psychology) and mass media. --- Digital media --- Collective memory. --- Archives. --- Identity (Psychology) and mass media. --- Archives. --- Digital media --- Collective memory. --- Social aspects. --- Social aspects.