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The mythology of the Norse world has long been a source of fascination, from the first written texts of thirteenth-century Iceland up to the modern period. Most studies, however, have focused on the content of the narratives themselves, rather than the broader political contexts in which these myths have been explored. This volume offers a timely corrective to this broader trend by offering one of the first in-depth examinations of the political uses of Norse mythology within specific historical contexts. Tracing the changing interests and usages of Norse myths from the medieval period, via the nineteenth century and the importance of ancient Norse beliefs to both the Romantic and völkisch movements, up to the co-option of mythology and symbolism by political groups across the twentieth and early twenty-first centuries, the papers gathered here offer new and critical insights into the changing nature of historiography and the political agendas that Old Norse myths are made to serve, as well as shedding new light on the way in which ‘myths’ are conceptualized.

293.1 --- 293.1 Godsdiensten van de Germaanse Scandinaviërs. Germaanse mythologie. Edda's.Saga's --- Godsdiensten van de Germaanse Scandinaviërs. Germaanse mythologie. Edda's.Saga's

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Despite various poststructuralist rejections of the idea of a singular author-genius, the question of a textual archetype that can be assigned to a named author is still a common scholarly phantasm. The Romantic idea that an author created a text or even a work autonomously is transferred even to pre-modern literature today. This ignores the fact that the transmission of medieval and early modern literature creates variances that could not be justified by means of singular authorships. The present volume offers new theoretical approaches from English, German, and Scandinavian studies to provide a historically more adequate approach to the question of authorship in premodern literary cultures. Authorship is no longer equated with an extra-textual entity, but is instead considered a narratological, inner- and intertextual function that can be recognized in the retrospectively established beginnings of literature as well as in the medial transformation of texts during the early days of printing. The volume is aimed at interested scholars of all philologies, especially those dealing with the Middle Ages or Early Modern Period.

LITERARY CRITICISM / European / General. --- Authorship as a Theoretical Concept. --- Premodern Authorship. --- Premodern Literature.